Facebook
has its Initial Public Offering (IPO) on Friday, some eight years after the
company was founded by a Harvard dropout.
With over 900 million monthly users worldwide and 542 million daily
users, the company brought in about a billion dollars this first quarter—12
billion less than Amazon—but netted over 200 million—some 70 million dollars in
profits more than Amazon. The world’s
largest online retailer’s stock value trades at an inflated price when one
considers its earnings but it may be the model for the world’s largest social
network, Facebook.
Facebook
opened—and closed-- its first trading day at $38. The firm is worth over 100 billion
dollars. It’s incredible to think that a
company with little history of profits can be valued so highly. Facebook is a leader today but it seems like it
is something that can be duplicated.
Facebook, though a part of our culture today, is replaceable. 50% in a recent poll say FB is just a passing
fad. If bookstores, newspapers, the
music industry, and books can each be threatened and challenged by technology,
technology can be threatened by technology.
FB is fragile, to a degree, but for now it’s the king of its kind.
All
this talk about the riches of online companies run by 20-somethings has
everyone else in a jealous fit. Why
can’t book publishing have a chance to launch IPOs for publishers or
authors? How cool would it be to have an
IPO for an author’s new book, where people can buy shares in a book? The profits from the book sale would be
divided amongst the investors. Authors
crave the idea of someone investing in their work. Why do dot-coms get all the glory?
Authors
can be so creative and write voluminously at a high level but get rewarded with
pennies, while others create some software that does something seemingly basic
such as post photos by users – and get rewarded for it. Pinterest, Facebook, LinkedIn, Groupon, and a
few dozen other companies have generated-- or will soon generate -- billions through
an IPO. It seems like these companies
are rewarded for their idealistic potential, for their well-done implementation
of a novel but simple idea. Yet many of these companies rely on ad money and
investors to stay afloat. None have any
real solid plans to execute a diversified way of making serious money.
Things
are out of whack on Wall Street. Always
have been. Brokers trade on speculation,
rumor, forecasts—not reality, facts and figures. Every investment is a casino bet. Real events and concrete things may not
always sway Wall Street but as a result of its gambling, there ends up being
ramifications in the real world.
People
get fired when stock prices drop. Stores
close up. The poker game stock brokers
play with our money is obscene and represents capitalism in the poorest light.
Meanwhile,
few authors get to win the lottery and truly reap significant financial
benefits from their hard work. It
doesn’t seem fair, but few things in life are.
Writers
are rewarded by a different currency.
Though many hope to cash in through their writings few go in to
publishing, expecting a big pay-off. No,
they write, first and foremost because the words beckon to flow from their
mind’s thoughts. They need to be
heard. The words come to life on paper
and touch the reader. The writer is
touched as well. Stories need to be
told, whether fictional or real, and writers feel at home telling them. It’s their favored way of communicating and
expressing themselves. When they write
it’s just like painting, or singing, or throwing a ball 100 miles per
hour. Life’s passions, experiences, and
ideas are compressed into a book, filtered through the writer’s soul. He or she only feels alive when they
write. They judge their life based on
the quantity and quality of written output.
Every word written is a strand of DNA left behind by the writer. It’s his only evidence of living.
Still,
what the hell Give me a damn IPO and
I’ll write the biggest bestseller there ever was!
Interview With Author Gary Krist
- What type of books do you
write? You’d think this would be an
easy question to answer, but my work has been all over the map. I started my writing career with two
collections of short stories, moved on to two thrillers, published a comic
historical novel, and then turned to historical nonfiction narrative with
my last two books. From a branding
perspective, then, I’ve mismanaged my career terribly. But I’ve always considered myself in the
narrative business, whether the narrative is fiction or nonfiction,
short-form or long-form. And
although I’ll probably return to fiction at some point, for the
foreseeable future I’m sticking with my current obsession with history.
- What is your latest or upcoming
book about? City of Scoundrels is, at its heart, the story of 12
disastrous days in Chicago in the summer of 1919. Over the course of those 12 days, the
city went
from a state of high optimism about its future to the brink of civic
collapse and martial law. World War I was over, and the city had just begun
implementing its great vision for the future—the so-called Plan of
Chicago, architect Daniel Burnham’s utopian redevelopment scheme that was
supposed to turn Chicago into “the Metropolis of the World.” But on the
very same day that the City Council was voting on this blueprint for urban
perfection, the whole city started coming apart in a terrifying way. A
blimp crashed into the downtown financial district, a horrifying race riot
broke out, a transit strike paralyzed the city, and a brutal child murder
made people wonder whether even their next-door neighbors could be
trusted—all over 12 short days. To those living through it, it looked as
if the entire fabric of normal existence—the underpinning of basic
stability that any society rests on—was suddenly unraveling before their
eyes. It was a vivid illustration
of how the very same energies and ambitions that combine to build a great
American city can so easily go awry and threaten to destroy it.
- What inspired you to write it? I’ve always been fascinated by the way that great
cities come into being and grow.
It’s invariably a tumultuous, almost Darwinian process, full of
epic conflicts that bring out both the best and worst of human nature. But the main draw for me in this book
was its central character—Big Bill Thompson, the mayor. Thompson was an extremely colorful,
extravagantly corrupt figure, a loud, outrageous blowhard in a cowboy hat
who liked to think of himself as “The People’s David,” defending the
average Chicagoan against the Goliaths of wealth and privilege. Most historians depict him as a
buffoonish demagogue—and that he certainly was—but I think there’s more to
Big Bill than he’s usually given credit for. So part of my mission was to explore his
character in a somewhat more sympathetic light.
- What did you do before you
became an author? I’ve
been writing ever since college, but for the first decade and a half of my
career I kept body and soul together by writing sample test materials for
a major test-prep company in New York.
My title was “Logic Coordinator,” which I know sounds like
something out of Orwell. But all of
that seems a long time ago.
- Where do you see book
publishing heading? It’s
really the Wild West in Publishing Land these days, and given the recent
ebook pricing controversies, it’s not always clear who are the sheriffs
and who are the outlaws. Will the
traditional commercial publishers still be around in ten or twenty years?
I honestly don’t know. But I remain
convinced that there will always be a demand for long-form narrative—whether
it’s delivered in physical books, ebooks, or direct-to-cerebral-cortex
data streams—so there will always be a place for writers.
IN CASE YOU MISSED IT
Last night's post: What is in a baby name -- or a book title?
Interview With Marcia Friedman
- What type of books do you write? Self help, motivational, non-fiction author. Please see
www.agingisafulltimejob.com
- What is your latest or upcoming book about? Latest--"Aging Is A Journey Of Changes"
- What inspired you to write it? Silver Sages are often accused of
resisting change. I researched and explored that subject to discover
that everyone resists change! That led to writing and publishing
this motivational book.
- What did you do before you became an author? Teacher, trainer, office manager, etc.
- How does it feel to be a published author? It's a draining, exhausting path to publish a
book. The resulting ego gratification of holding and feeling
"my book" and hearing positive feedback is wonderful. The
marketing is an ongoing struggle. All writers are not meant to be
business entrepreneurs. Unfortunately, the two go together in todays
literary world, if a creative writer wants to be published.
- Any advice for struggling writers? Write for yourself. If you decide to publish the
writings to become an author, pull up all your patience and money for that
journey. Writing is healing! Being an author is more work,
more to learn, and more time consuming that ever imagined. If you
have to write (and I do) plowing through the obstacles is worthwhile,
despite the bouts of lack of confidence and marketing struggles.
- Where do you see book publishing heading? More and more writers want the control over their
acceptance and their work. To continue offering a service,
publishers will have to come up with a more direct path to being accepted
that is less time consuming and restrictive.
Brian Feinblum’s views, opinions, and ideas expressed in this
blog are his alone and not that of his employer. You can follow him on Twitter @theprexpert and email him at brianfeinblum@gmail.com. He feels more important when discussed in the
third-person.
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