The
Dread Line
1.
What is your new book about?
Since getting fired from his Rhode Island newspaper job last year (A Scourge of Vipers, 2015), Liam Mulligan has been trying to piece together a new life—one that straddles both sides of the law. He’s getting some part-time work with his friend McCracken’s detective agency. He’s picking up beer money by freelancing for a local news website. And he’s looking after his semi-retired mobster-friend’s bookmaking business. But of course, he still can’t seem to stay out of trouble. In The Dread Line, the fifth book in this Edgar Award-winning series of crime novels, Mulligan is obsessed with a baffling jewelry heist, and he’s enraged that someone in town is torturing animals. All of this keeps distracting him from a big case that needs his attention. The New England Patriots, still shaken by murder charges against their superstar tight end, have hired Mulligan and McCracken to investigate the background of a college athlete they are thinking of drafting. At first, the job seems routine, but as soon as they start asking questions, they get push-back. The player, it seems, has something to hide – and someone is willing to kill to make sure it remains secret.
Since getting fired from his Rhode Island newspaper job last year (A Scourge of Vipers, 2015), Liam Mulligan has been trying to piece together a new life—one that straddles both sides of the law. He’s getting some part-time work with his friend McCracken’s detective agency. He’s picking up beer money by freelancing for a local news website. And he’s looking after his semi-retired mobster-friend’s bookmaking business. But of course, he still can’t seem to stay out of trouble. In The Dread Line, the fifth book in this Edgar Award-winning series of crime novels, Mulligan is obsessed with a baffling jewelry heist, and he’s enraged that someone in town is torturing animals. All of this keeps distracting him from a big case that needs his attention. The New England Patriots, still shaken by murder charges against their superstar tight end, have hired Mulligan and McCracken to investigate the background of a college athlete they are thinking of drafting. At first, the job seems routine, but as soon as they start asking questions, they get push-back. The player, it seems, has something to hide – and someone is willing to kill to make sure it remains secret.
2. What inspired you to write it?
Aaron
Hernandez was an All-American football star drafted out of the University of
Florida by the New England Patriots. For a few years, he and Rob Gronkowski
formed what was without a doubt the best pair of tight ends ever to play
together on the same NFL team. But Hernandez, who was in and out of trouble in
college, had a dark side that was darker than anyone had imagined. In 2013, the
Patriots cut him immediately when he was arrested for allegedly shooting a
semi-pro football player to death. He was subsequently convicted of first
degree murder. But that wasn’t all.
Among other things, he was indicted in 2015 for a double murder in Boston. I
didn’t want to re-tell the familiar story as fiction, but it did get me
wondering what would happen if the Patriots hired Mulligan to check out another
college star.
3. What do
you hope will be the everlasting thoughts for readers who finish your book?
Mulligan,
whose job has always been to probe the dark hearts we pray against, drifts
awfully close to the dark side himself in this novel. I hope the book will leave readers thinking
about what it is like for homicide detectives, investigative reporters and
others who sometimes find themselves wondering if their work is eating away at
them, threatening to turn them into the very thing that they fear.
4. What
advice do you have for writers?
Treat
writing as your job—something you do every day whether you feel like it or not.
Don’t wait to be inspired. Don’t sit around hoping that your muse will show up.
Plant your butt down at your desk every day and write. That’s the way to get a
book done.
5. Where do
you think the book publishing industry is heading?
If I knew
that, I could get rich. I don’t think anybody can say where this fast-changing
industry is headed. If I had to make just one guess, I’d say that both print
and e-books will continue to exist side by side for at least another decade
because both have their advantages. Other than that, I have no idea.
6. What
challenges did you have in writing your book?
I never
outline. I just set my characters in motion to see what will happen. But I
can’t really get started until I write a paragraph or two that sets the tone of
the book that I want to write. For me, everything flows from that. The first
thing I wrote when I started “The Dread Line,” was this:
“He was a serial killer, but I didn’t hold that
against him. It was just his nature. The way
he killed irked me some. His victims were all missing their heads. But what I
couldn’t abide was his habit of using my porch as a dump site.”
I had no idea who the killer was. Worse, I didn’t want
to write another serial killer book. I’d already published one (Providence Rag) based on a real case I once covered as a
journalist, and reliving those terrible days had been painful for me. I had
vowed never to write about a serial killer again. But I loved the feel of that paragraph—the way it set
the noir mood I was after. As I pondered what to do, I looked down at Rondo,
the most territorial of my two 130-pound dogs, and thought about him patrolling
my big back yard, driving off every intruder from foraging deer to our
neighborhood’s most efficient killer, a friend’s predatory cat. And then I
knew. The serial killer in that first paragraph—which I kept as the opening of
the novel—was a feral tomcat who deposited its daily kill on Mulligan’s back
porch.
7. If people
can only buy one book this month, why should it be yours?
The great Steve
Hamilton, one of very few writers ever to win TWO Edgar Awards, calls The Dread Line "the best yet in one
of my favorite series ever -- fast and funny, yet it packs a serious
punch. This is hardboiled crime fiction at its finest." Since his
last book, The Second Life of Nick Mason,
was published last spring, I don’t have to fret about not recommending his
over mine.
Bruce DeSilva grew
up in a parochial Massachusetts mill town where metaphors and alliteration were
always in short supply. Nevertheless, his crime fiction has won the Edgar and
Macavity Awards; been listed as a finalist for the Shamus, Anthony, and Barry
Awards; and been published in ten foreign languages. His short stories have
appeared in Akashic Press's noir anthologies, and his book reviews for The
Associated Press appear in hundreds of publications. Previously, he was a
journalist for 40 years, writing and editing stories that won nearly every
journalism prize including the Pulitzer. His new novel is The Dread
Line. Please see: http://brucedesilva.com/
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