1.
What inspired you to write this book?
Callahan’s Cottage was conceived on Nantucket. I was
there for a signing for my second book, The Making of Genevieve, and a friend
and I were staying with a third friend who had rented a house for a few weeks.
One afternoon she looked at of us and said, “This is your next book. A pastry
chef, a photographer, and an author come to Nantucket for the summer.” I
laughed it off — everyone has an idea for what you “should” write — but she
wasn’t wrong. One friend is a pastry chef, another is a photographer, and I’m
the author. It took a little time for the idea to percolate, but that’s how
Emma, Esme, and Ellenor came to life.
2.
What exactly is it about — and who is
it written for
This book is written for readers who love stories they
can see themselves in—women navigating friendship, family, change, and the pull
of home. At its heart, the novel follows three lifelong friends who grew up on
the shores of Cape Cod and return after five years apart. Each woman carries
her own secrets, regrets, and hopes, and coming home forces them to confront
what they left behind. The story blends emotional women’s fiction with a
coastal vibe exploring how friendships evolve and how returning to a familiar
place can reshape a life. It’s for anyone who enjoys heartfelt, relatable
stories about connection, resilience, and second chances.
3. What do you hope readers will get
out of reading your book?
I hope readers come away with a deep appreciation for
the power of friendship. In this story, the bond between Emma, Esme, and
Ellenor is lifelong—something steady and grounding that has carried them from
childhood on the Cape into the complicated realities of adulthood. Not everyone
is lucky enough to have friends who’ve known them since childhood. New
friendships can be just as transformative, supportive, and life‑changing. If
readers finish the book feeling grateful for the relationships they have—and open
to the ones they haven’t made yet—I’ll feel like I’ve done my job.
4. How did you decide on your book’s title
and cover design?
I chose the title and cover design by going back to a
place that means everything to me. There’s an obscure dirt road in my town that
leads to what locals call the “Residents Only” beach. You can walk it, but
nobody does—we load up our 4‑wheel‑drive SUVs and head out together. I’ve been
going there longer than I care to admit, and its raw beauty still stops me in
my tracks. Sunrise to sunset, it’s in my soul. When coming up with the title, I
borrowed part of that area’s name, and the cover image blends the best elements
of every quintessential Cape Cod beach cottage. That’s how Callahan’s Cottage
came to life..
5. What advice or words of wisdom do you
have for fellow writers – other than run!?
I would suggest stepping away when you need to. The
story will always be there, but there are moments when the words simply won’t
come. Forcing it rarely helps. Walk away, clear your head, and trust that the
spark will return. My other piece of advice is to grow a thick skin if you plan
to share your work with the world. Not everyone will connect with what you
write, and some people will be very comfortable telling you that. It’s part of
the process. What matters is staying true to your voice, learning from the
feedback that’s useful, and letting the rest fall away so you can keep writing.
6. What trends in the book world do you
see -- and where do you think the book publishing industry is heading?
I’m still fairly new to this rollercoaster of writing
and publishing, but I do see a few clear trends. One is the continued rise of
self‑publishing. I’m self‑published myself, though I hire professionals for
editing, proofreading, and cover design because quality still matters. Another
trend is the growing use of AI. While it can be a helpful tool, I worry that
relying on it too heavily—especially at this stage—may turn readers off. The
other shift I notice is the increasing number of stories featuring older women
as protagonists. As an older woman, I relate to that deeply, and I think many
readers are eager for characters who reflect their own lives and
experiences.
7. Were there experiences in your
personal life or career that came in handy when writing this book?
I definitely drew from my own life while writing this
book. I live in the very place where the story unfolds, and even though the
novel is fiction, the locations are true to the Cape I know. That familiarity
helped me bring the setting to life in a way I hope readers can feel—like
crossing an old wooden bridge in a quiet, hidden spot to reach a stretch of
beach only a few people ever see. My hope is that readers feel transported, as
if they’re discovering these tucked‑away corners of the Cape right alongside
the Three E’s, letting the authenticity of the setting deepen their connection
to the story.
8. How would you describe your writing
style? Which writers or books is your writing similar to?
I would describe my writing style as free‑flowing and
character‑anchored. I’m not a planner in any traditional sense—there’s no
outline, no sticky notes, no roadmap waiting for me when I sit down to write. I
go with whatever arrives at the moment. Sometimes it’s a full conversation
between characters; sometimes it’s a visual prod, like realizing Emma needs to
walk straight into the ocean. I admire writers who are organized and
disciplined, but that’s simply not how my creative process works. As for
comparing myself to other authors, I’m not quite comfortable doing that yet.
I’m still growing, still learning, and still discovering my own voice on point
in my so-called writing career, I wouldn’t feel good about comparing myself to
anyone.
9. What challenges did you overcome in the
writing of this book?
One of the biggest challenges was keeping Ellenor,
Esme, and Emma straight. The Three E’s seemed like a fun idea at the time but
note to self: don’t give all your main characters names that start with the
same letter. I’ve apologized to my book club more than once. The other major
challenge was the deadline I set for myself. I wanted the book in readers’
hands before summer, which meant pushing hard to get everything done. In the
rush, I ordered 100 copies without reviewing an author proof, only to discover
the formatting was off. I needed them for a book signing. Talk about panic. I
ended up selling a few copies at a discount with a disclaimer about the errors.
Another lesson learned.
10. If people can buy or read one book
this week or month, why should it be yours?
If readers are choosing just one book, I hope they
choose Callahan’s Cottage because it’s a genuinely uplifting, heartfelt
beach read — and the two awards it has earned reflect that. But more
importantly, the story speaks directly to women who have faced some of the same
hurdles Emma, Esme, and Ellenor navigate. It’s relatable in a very real way.
Many of us have dealt with divorce, exhaustion, disappointment, the feeling of
is this all there is. This book gives readers permission to acknowledge those
feelings — the good and the hard — and still say, “I’m doing okay. I don’t need
to settle.” It’s a story that meets women exactly where they are. And The Three
E’s are fun to know!
About The
Author: Judy Lannon writes award-winning contemporary
women’s fiction about the beautiful messiness of real life. Her stories explore
friendship, family, and the surprising ways we find ourselves again, which
might explain why readers often swear she’s been eavesdropping on their lives.
She lives on Cape Cod with her husband and their standard poodle, Puck. She
feels it’s a cliché to say she is inspired by the ocean, but it undeniably
finds its way into her stories. Please see for more info: AuthorJudyLannon
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For
the past three decades, Brian Feinblum has helped thousands of authors. He
formed his own book publicity firm in 2020. Prior to that, for 21 years as the
head of marketing for the nation’s largest book publicity firm, and as the
director of publicity at two independent presses, Brian has worked with many
first-time, self-published, authors of all genres, right along with
best-selling authors and celebrities such as: Dr. Ruth, Mark Victor Hansen,
Joseph Finder, Katherine Spurway, Neil Rackham, Harvey Mackay, Ken Blanchard,
Stephen Covey, Warren Adler, Cindy Adams, Todd Duncan, Susan RoAne, John C.
Maxwell, Jeff Foxworthy, Seth Godin, and Henry Winkler.
His
writings are often featured in The Writer and IBPA’s
The Independent (https://pubspot.ibpa-online.org/article/whats-needed-to-promote-a-book-successfully) and (https://pubspot.ibpa-online.org/article/10-things-my-dog-taught-me-about-marketing-books). He was recently interviewed by the IBPA: https://www.youtube.com/watch?v=F0BhO9m8jbs
He
hosted a panel on book publicity for Book Expo America several years ago, and
has spoken at ASJA, three times at BookCAMP, Independent Book Publishers
Association, Sarah Lawrence College, Nonfiction Writers Association, Cape Cod
Writers Association, Willamette (Portland) Writers Association, APEX, five
times at Morgan James Publishing Red Carpet, and Connecticut Authors and
Publishers Association. He served as a judge for the 2024 IBPA Book Awards.
His
letters-to-the-editor have been published in The Wall Street Journal,
USA Today, New York Post, NY Daily News, Newsday, The Journal News (Westchester)
and The Washington Post. His first published book was The
Florida Homeowner, Condo, & Co-Op Association Handbook. It
was featured in The Sun Sentinel and Miami Herald.
Born
and raised in Brooklyn, he now resides in Westchester with his wife, two kids,
and Ferris, a black lab rescue dog, and El Chapo, a pug rescue dog.
You
can connect with him at: https://www.linkedin.com/in/brianfeinblum/ or https://www.facebook.com/brian.feinblum

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