One
overlooked strategy when it comes to promoting your book to the news media is
the old “Letter-to-the-Editor” section of a newspaper or magazine. You should bombard
your local newspapers with short letters, commenting on a topic that is
relevant, timely, and connected to what your book is about. It is a good way to
promote yourself for free.
Why should you do this?
1.
It
has a chance to succeed, since many authors and book publicists fail to mine
this golden opportunity.
2.
When
your letter is printed it will also appear online, so when people Google you
they will see that you have been quoted in several publications.
3.
It
helps with your branding. The letter shows you are active in your community,
have cogent opinions that others value enough to publish, and it gives people a
chance to familiarize themselves with you.
4.
The
letter-writing process can be cathartic – you get something off of your chest.
5.
You
may actually help, inspire or inform others.
6.
By
forcing yourself to write letters and send them out you are training your brain
to develop a marketing mindset. You will start to generate ideas that will
carry over into other PR outreach.
How should you do this?
1.
Gather
the email and mail addresses of all the area local daily and weekly community
publications that accept and print letters.
2.
Begin
to note the editorial slant of a publication. Is it left or right-wing? Which
topics do they often cover with editorials, features, news, etc.?
3.
Read
other letters to the editor and get a handle on tone, length, etc. you will
want to mirror what they seem to readily publish.
4.
Think
about topics connected to your book that you can see turning into a short
letter. For instance, is there something that is in the local news that can be
bridged to your book? If your book is about travel, can you talk about tourism
for your city or how people should look no further than downtown for a
vacation. If your book is about nutrition, talk about school lunches or why a
Bloomberg-type ban would or would not work in your city. If your book is on
investing, talk about local company profitability or about why buying local
real estate still is the best investment. You get the idea?
5.
Email
your letters. Editors do not want to re-type your letter or try to interpret
crappy handwriting. Further, the email is quicker and timely, as compared to
typing or writing al letter and then mailing it.
6.
It
is okay to be controversial, but don’t curse, be mean, or rude, or wish bad
things upon others. Use descriptive words to support a single point – you have
100 or fewer words to make your statement. The best letters comment on
something that just appeared in the paper – an article, column, editorial, or
even another letter.
7.
Once
you get published in a newspaper you should learn of their policy on how often
you can get a letter placed. Sometimes there are writing periods imposed in
between the publishing of letter s from the same source. If there is a waiting
period, contact them once it ends and keep at it until they publish another
one.
Good
luck in your efforts -- they will pay off. Just ask my dad. He has had dozens
of letters published by the local newspapers
-- including the New York Daily News
-- over the years. And he doesn’t even have a book to promote – just a civic-minded
voice.
What
should you write about today? Just open up the newspaper and I suspect
something will come to mind. Otherwise, write me a letter on my blog’s comment
section.
Interview With Former Sun-Sentinel
Book Critic Chauncey Mabe
1. Chauncey,
you were a book reviewer for many years with the Sun Sentinel in Ft.
Lauderdale. How has the book publishing industry changed -- and along with it
-- the news media? I see publishing and
the news media alike heading off a cliff. As "old" or
"legacy" media, they are being forced into irrelevance by digital
technologies such as the Internet and e-books. While I'm told you can't stop
progress, these developments are distressing in the extreme. Internet news
sources, which do their best to give you information you've already shown an
interest in, can never duplicate the service provided by a newspaper, where
trained professionals present information they think is important to you,
whether you want it or not. I learn more in 10 minutes of paging through the
newspaper than I do in an hour of searching online. As for publishing, legacy
publishers will not be able to compete with the economies and the ruthless --
some might say "unethical" -- business practices of Amazon, which
obviously wishes to create for itself a monopoly on bookselling, publishing,
distribution. Its policies are designed to put bookstores and publishers out of
business. Readers who love the price savings of Amazon are like fishermen who
use dynamite instead of rod and reel. The initial returns are
astounding...
2. Where
do you see both industries heading? The cultural and political price we will pay for losing
newspapers, magazines, and publishers is incalculable.
3. What
do you do these days? I am a freelancer and
ghostwriter today, making my living off the prostrate corpse of publishing and
print media. I work three times as hard for half the money. But I still get to
do work I love.
4. As
a ghostwriter, what do you like to write about? Is it hard to not be known as the author? As
a ghostwriter, my job is to make the "writer" look as good as
possible. I feel no frustration in remaining anonymous. Most of the books I
work on, no matter how invested I might become, are not topics I would take up
on my own. I have written or co-written books o media and the law, a history of
a historic Catholic parish, an account of the rise and fall of the Ponzi scheme
Scott Rothstein. At present I am working on books about the role of personality
disorders in white-collar crime, the life story of a leading anti-Castro Cuban
exile, and the memoirs of an important local businessman. The last will likely
be published privately, for family and friends.
5. What
advice do you have for today's writer? My advice for today's writer: Unless you have such a sense of
mission that you have no control over your actions, find another profession.
Become a programmer at a video game developer for example. That's where the
future of narrative is. Personally, I consider this a catastrophic tragedy, but
I may be wrong.
6. As
a former critic, what did you find to be the key elements to a great book? When I was a young reviewer, the novelist
John Knowles, who spent his last years here in Fort Lauderdale, cautioned me to
remember that each book must be judged for what it is, not what it is not.
Thus, a mystery novel cannot be assessed by the same criteria as a literary
novel. A book should fulfill the task the author sets out for it, with skill,
craftsmanship, talent. Alas, the best way for a writer to do this is by setting
no tasks at all, but by doing his or her best to get out of the way. Out of the
way of what used to be called The Muse. Writing that is self-conscious, that is
aware of itself, is seldom any good.
7. What
do you find to be the rewards and challenges for one trying to write, publish
and promote a book? The only sane reason
for writing lies in the writing itself. I hate to sound like a guest on Inside
the Actor's Studio, but process is everything, the only thing that matters. If
you don't enjoy composition, the act of creating character and narrative by
building sentences, then do something else. Like buy a lottery ticket. Your
chances of success are about the same. As for promotion -- the new media
realities have placed most of the responsibility for promotion on the shoulders
of the writer, which is an atrocious state of affairs. Writers now have to
Tweet, Facebook, and otherwise interact with readers, when they should be, you
know, writing.
Brian Feinblum’s
views, opinions, and ideas expressed in this blog are his alone and not that of
his employer, the nation’s largest book promoter. You can follow him on Twitter
@theprexpert and email him at brianfeinblum@gmail.com. He feels more important when discussed in
the third-person.
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