I recently came
across a 53-year-old book about the old art of book binding, Hand Bookbinding:
A Manual of Instruction by Aldren A. Watson (Bell Publishing Company, Inc. (1963).
Even though I personally have no interest in binding a book, I found it
interesting that this practice was being passed on in a book. Though the book
was mainly filled with hundreds of specific steps and illustrations on just how
one would go about binding a book, something there is probably very little need
for today, there were some good passages about books contained in this manual.
Here are some of them:
Early Binding
“Paradoxically, the
history of bookbinding begins many centuries after the appearance of the first
book. One of the earliest known “books”
is a papyrus roll, dating from the twenty-fifth century, B.C. and containing 18
columns of Egyptian hieratic writing [fig 1]. The roll form continued
throughout two thousand years of pre-Christian history. Even after the birth of
Christ, although parchment replaced papyrus, the roll volume (from volvere – to
roll) remained the standard form. But
the arrangement of the writing in parallel columns separated by vertical lines
held the potentiality for the development of a new form. Eventually, the idea of cutting the roll into
separate panels, each holding three or four columns, gave birth to the book as
we know it. The first bound book, then
was made up of single sheets, hinged along one edge by means of sewing or
lacing. In the Latin codex, or manuscript
book, the columnar arrangement of writing was continued; typical examples from
Roman times have three or four columns to the page. Down to the present day, two- and
three-column pages have proven practical and easy to read. Since modern trade books are predominantly
single column, their page are smaller, in contrast to the much larger books of
earlier times.”
Paper Making
“Paper making was
introduced to Europe from China in the tenth century. Sheets of this new handmade material
approximated parchment in weight, although they could be folded, punched and
sewn with far greater flexibility. Good
strong thread was used in the sewing, and silk was employed in making
headbands. Leather was attached to the
wooden cover boards in its full thickness; shaving it thin, or paring as it is
called, was unknown. If the temptation
is to consider these bindings clumsy, they rather deserve the more proper term
“rugged.” For these binders worked in
the tradition of their times; their durable bindings resulted simply from doing
their work the only way they knew – well.”
15th Century Revolution
“The revolution in book binding started,
however, in the middle of the fifteenth century with the invention of printing
from movable type. A manuscript book,
copied by hand, was the product of a slow process producing a single volume. With Gutenberg’s process of composing words
from individual type letters, an entire page could be set up and printed in a
vastly accelerated manner. Relatively
speaking, bookbinding changed from an individual craft to one of mass
production. This did not immediately
bring in about a reduction in the size of books, for the early type faced were
copied from the old, large calligraphic letters. The growing public demand for books provided
the catalyst for a dramatic increase both in the quantity of books and the need
for bookbinders.”
According to the book’s
jacket, “Hand Bookbinding contains thorough,
step-by-step instruction in the sound, traditional methods of fine hand
binding, with emphasis on careful workmanship and durability. Written in clear language, and profusely
illustrated with explicit drawings and diagrams, the book demonstrates how to
carry through a series of binding projects, from a simple folded booklet to a
multi-signature book sewn on tapes.
“Directions are given
for the fundamental steps of folding, marking up and sewing, making and
attaching boards, and designing title labels. Similar instructions are given for
advanced procedures including the rebinding of an old book, making of split
boards, head banding, making a slipcase, and the making of a box for a set of
books.
“Hand
Bookbinding is for
the beginning binder, who will find its organization and illustrations easy to
follow. The book is also a useful
adjunct to the training of book designers, editors, book illustrators, and
those interested in book manufacturing and publishing. It will also be a useful
handbook for the amateur hobbyist, the craft teacher, and the camp instructor.”
As for who would be
qualified to write such a book? The jacket copy states this about him: “Aldren
A. Watson is an artist and craftsman with many talents. A practicing hand-binder, he is well-known as
well as the illustrator of more than two hundred books, and as the
author-illustrator of My Garden Grows, A Maple Tree Begins, The
Village Blacksmith, and Country
Furniture. Mr. Watson has conducted classes and private instruction in hand
binding, and has made illustrations for other technical books on the subject.
His work is represented in private and public collections, and in numerous
periodicals and anthologies.”
To learn more about
bookbinding, you may want to consult:
Bookbinders
Academy
Philobiblon
Society
of Bookbinders
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Brian Feinblum’s views, opinions, and ideas expressed in this blog
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