The
book publishing industry is made up of different types of individuals. Probably only a handful of older writers,
editors, and literary agents would remember what was referred to as “Big Little
Books, " but a 1997 book that I’d come across brought a whole era to light in
such a positive way that I wanted to share with you the author’s passion for a
bygone period.
The Big Book of Big Little Books, by Bill Borden with Steve Posher , says the adventure series books was one of the most popular genres throughout the 1930’s and 40’s. Borden wrote:
The Big Book of Big Little Books, by Bill Borden with Steve Posher , says the adventure series books was one of the most popular genres throughout the 1930’s and 40’s. Borden wrote:
“Every
book was rife with cliffhangers, chapters that would compel readers on to the
next, leaving them wondering how their hero would escape the latest calamity.”
Whitman
Publishing launched “Big Little Books” in 1932. The author believes some 1,100 similar
style books were published in the first two decades. Other companies copied the style to produce
hundreds more. The Adventures of Dick Tracy was the first one to be produced.
You
can see how the author expresses a fondness for these books. He wrote:
“The
early BLBs somehow seem to transcend being just books. Each one has become an object of art. Small,
blocky, and colorful, the books have the aroma and yellowish glow of old
newsprint, and they hold the promise of adventure, laughter and love. I relish
holding them in my hands, or just looking over and seeing these thick little
books sitting on my shelves.
“I
have always wondered if their size made them more intimate, allowing me to create
stories with my imagination that emerged directly from the pages
themselves. Leonardo da Vinci once said
that one can create better in a small room than in a larger one where the mind
can wander. Does that apply to small
books too? Did these small books, which
are only slightly larger than a child’s hands, make it easier for their young
readers to hold them, and then to imagine?”
These
books gave the youthful reader a sense of adventure and wonder during times
that made most feel sad or fearful. The
Great Depression and World War II consumed a generation. But the author explains here why the Big Little Book had such appeal:
“In
the 1930s, whether you were a twelve-year-old huddled in a small farmhouse amid
sprawling Iowa cornfields on a cold night or peering out of a sixth-floor
tenement window in Brooklyn looking down at glistening rain-soaked streets and
blinking stoplights, you yearned to discover a life beyond the horizon-and a
dime could buy you that. With a BLB adventure, you could go to another world
filled with exotic locations, outrageous heroes and heroines, and wonderfully
scary dangers. The American ethic
triumphed, the bad guys lost, morality was preserved.”
A Wikipedia entry says: “A Big Little Book was typically 3⅝″
wide and 4½″ high, with 212 to 432 pages making an approximate thickness of
1½″. The interior book design usually displayed full-page black-and-white
illustrations on the right side, facing the pages of text on the left. Stories
were often related to radio programs (The Shadow),
comic strips (The Gumps), children's books (Uncle Wiggily),
novels (John Carter of Mars) and movies (Bambi). Later books of
the series had interior color illustrations.”
It is interesting how a particular format and type of content
could be so wildly popular and then virtually disappear from the book
landscape. What will be the next hot genre or format? I guess ebooks are the
latest generational craze. Before them came things like coffee table books,
books with CD-Roms, the dime romance novel, etc.
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Brian Feinblum’s views, opinions, and ideas expressed in this blog are his alone and not that of his employer. You can follow him on Twitter @theprexpert and email him at brianfeinblum@gmail.com. He feels more important when discussed in the third-person. This is copyrighted by BookMarketingBuzzBlog 2016.
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