Saturday, March 28, 2015

The Greatest Book List is Impossible & Faulty



While recently searching for lists of great books and all-time classics, I had to confront a number of concerns and issues, including these:

·         Who got to choose such a designation for a book and what credentials do they have?

·         What criteria was employed to come up with these lists?

·         How did the individual members of a group draw a consensus – was it negotiated, debated or just voted on?

·         How often should such a list be reviewed and edited to determine which books fade into irrelevance in favor or newer, perhaps better ones?

·         How many books did the group members read?  What did they consult to gain insight on books worthy of their consideration?

It’s certainly hard to compare books from one generation to another – and it’s difficult to keep up with the torrent of books produced today (more than 1,000 every 24 hours from traditional publishers).  Further, you have human bias tossed into the equation.  

Is there really a good method by which to truly judge which books are best?

There are some metrics that could be used, but each has its shortfalls.  Let’s take a look:

Sales
Do we judge a book based on being a bestseller?  If so, which lists do we look at?  What about total sales of a book – including those that aren’t verified by bestseller lists?  Is popularity enough of a reason to judge a book?  If so, Fifty Shades of Grey would rank very high, but no one is confusing that with the works of Shakespeare.

Social Media
This more recent invention can give us statistical analysis on how often a book is tweeted, liked, or discussed on a platform such as YouTube.  But those could be negative comments or they can be pushed by an assertive author.  Again, such a measurement doesn’t indicate quality.

News Media
Should we rank a book high because it was well-reviewed by traditional or respected media?  Self-published or smaller independent presses produce some great books but the major media doesn’t always give ink to them.  They choose to review books that big publishers produce (perceived bias) or the ones from publishers who tend to finance their publication through advertising.

Awards
Which awards – and how many of them – must a writer win or place high in to get a ranking worthy of greatness?  What is the application and selection process like at each award?  Some awards are politically driven. Others select from a pool of paid applicants, thus limiting others from participating.  Further, what bias exists for the judges, and how many books do they have time to read or review?  If a thousand books were submitted to an award, this represents eight hours of publishing’s productivity.  Based on 3,000 books published daily – from traditional to self-published – the award is only looking at a tiny fraction of all books released that year.  Even then, who has time to read all of them in order to make a legitimate judgment?

Impact
It’s too soon to judge the socio-political impact a book could have on society during the first year of a book’s existence, so time would be needed to see how a book influences others and touches the world.  It would admittedly be difficult to quantify a book’s global impact.

Testimonials
If a lot of people who are well-known, credentialed experts, and trusted individuals come out in support of a book, should weight be given to them to determine a book’s greatness? How do we rate the testimonial-givers or the testimonials?

Experts
Do our intelligent, trained, educated and experienced librarians, readers, editors,teachers – and even other authors – serve best to determine a book’s greatness?  Who has the time to participate in judging and ranking books?

Let’s say each method is faulty, but relevant to be used in combination with one another to draw some kind of limited conclusion about a select number of books from each year’s production of books.  Now take the list of the year’s best books, break it down by genre, and tell me how many books should be on this list.  Now compare one year’s list to another and another and another. After just 50 years you would have thousands of books on the list.  Now look back into the centuries past.  A conservative list of all-time books could easily total 10,000.

If you read a book a week, in 200 years you would get through a list that would by then have likely doubled or tripled in size.  The process, as you can see, to create any list is limited by time, subjectivity, money, experience, training, and politics.  This doesn’t mean we shouldn’t try to put such a list together, for something to guide us is better than nothing at all, but we should realize these lists are faulty and need improvement.

However, if you want to see what some of the perceived experts say are some of the best books of all time, take a look at these randomly and subjectively chosen links:






My favorites?  As A Man Thinketh, Man's Search for Meaning, and most works by Leo Buscaglia, Dale Carnegie, George Orwell, Joseph Heller, Norman Vincent Peale , Og Mandino, Stephen Covey,  Ken Blanchard, Tony Robbins, and gosh, a hundred other writers just from this past century would occupy a list by themselves.

What do you believe are the best books ever?

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Brian Feinblum’s views, opinions, and ideas expressed in this blog are his alone and not that of his employer. You can follow him on Twitter @theprexpert and email him at brianfeinblum@gmail.com. He feels more important when discussed in the third-person. This is copyrighted by BookMarketingBuzzBlog © 2015

Friday, March 27, 2015

How Do You Celebrate Author Birthdays?


Recently, I learned it was Bach’s birthday.  Happy 330!  But who keeps track of birthdays for writers?

I stumbled upon a few sites that track the birthdays of select writers though it’s not clear what they use as a basis for including someone.

FamousBirthdays.com features author birthdays by their birth state.  Alabama had 27, including Harper Lee, Helen Keller, and Zig Ziglar.  California had 36, including John Steinbeck, Tony Robbins, and Rick Warren. New York featured 36, including Joyce Carol Oates, JD Salinger, Danielle Steel, James Baldwin, and Ann Coulter.

Scholastic.com celebrated the birthdays of authors and illustrators of books for children up to high school.  From Edgar Allan Poe to others, short biographies were given along with their birthdate.

PagePulp.com, which claimed “more babies are born in the summer than any other time of the year,” identified July as a popular month for writers, including the birth of Franz Kafka, E B White, Henry David Thoreau, Ernest Hemingway, George Bernard Shaw, and Beatrix Potter.

AuthorBirthdays.blogspot.com highlights birth and death dates of a handful of authors daily.

LitBirthdays.wordpress.com honors the birthdays of writers, extending beyond books and into music, television, and those who wrote papers and documents, such as historians, judges, and comedians.

LibraryBooklists.org/literarybirths seems pretty thorough.  It lists up to ten people per day, and shares information about the authors’ accomplishments.  Almost all of the people listed are dead, so it skews to the past.

What should one do to honor the birthday of a writer they have enjoyed?  I suppose you can use that day to read about that writer, read or reread his or her works, and spend time talking to others about how wonderful that writer was and what he or she means to you.

Birthdays are more accidental than planned.  There is a randomness attached to them.  More important than a birthday would be the moments that have no dates, those special seconds that define who that writer is and will become.  They may not even have known it at the time, but they had to have had a series of moments that came to inform and create the writer in them.  We should celebrate such moments.

As time goes by it’ll be harder to determine which writer’s birthday should be added to the list.  There is a growing crowd of writers.  Will we only remember those whose books sold well or those that won awards (which ones, how many?)?  Will we recall those who had one big book that, by itself, is worthy of honoring an entire life?  Will we recall the birthdays of great writers but lousy human beings?  Shall we celebrate the birthdays of writers who came to influence society, politics, or professional standards?

We can honor writers and their birthdays by continuing to read their books, discuss and share them with others, and continually examine or revise their relevance to today’s world.  Eventually, some, if not many writers who are valued today will be forgotten and cast aside to make room for newer, more influential ones.  And they too will have birthdays to be celebrated.

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Brian Feinblum’s views, opinions, and ideas expressed in this blog are his alone and not that of his employer. You can follow him on Twitter @theprexpert and email him at brianfeinblum@gmail.com. He feels more important when discussed in the third-person. This is copyrighted by BookMarketingBuzzBlog © 2015

Interview With Author Ben Anthony


What inspired you to write your new book?

The people around me, my immediate environment and all events happening in the world as reported by News Stories

What is it about?
"Maya: Initiate 39" explores the plight of Maya taking a journey through ---coming from a broken home since her mother left, ending up with the dreaded juvenile cult, the Alternative Lifestyle Club, popularly known as the ALC, and then growing up into a stand-up woman.

What challenges did you overcome to write it?
 I avoided the constraints known as Laziness, procrastination, yielding myself to other frivolities and most importantly the 'writer's block syndrome' by keeping myself abreast with family-related issues 

What do you find rewarding about writing a book?
The grass to grace move of Maya's predicament.

Where do you see the publishing industry heading?
Taking a vivid projection from my stand-point, i see the publishing industry directing its dynamics of literary operation in "digitals"-the advanced use of e-books, iTunes, Google Play,  and other developed digital formats as completely-suitable replacements to hard copies-print versions.

What advice do you have for fellow authors?
To my fellow authors, I say the following:
1) Don't give up on your writing as you prepare real hard to face incessant rejections.

2) Because your book was accepted by a publisher doesn't necessarily make you a good writer (vice versa).

3) Expect the 'Writer's Bloc'(a situation were a writer appears not to have anything to write) because it happens. However, keeping yourself acquainted with information concerning the related topic of interest is a way of avoiding the Writer's Bloc.

4) Lastly, learn to always polish your writing skills by continuous writing. In my opinion, "a good writer becomes better  when he or she progresses from being  labeled a 'bad' writer, via constructive criticisms of work(s) by an array of honest reviews, and takes writing as a 'take-home-assignment-for-life' interest. 

For more information, please see:


Barnes and Noble: Maya: Initiate 39.








Available in: Paperback. From Linkville Press: Maya was raised single-handedly by her father, Samuel, who had divorced his wife, Cynthia years ago, on gro...
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Brian Feinblum’s views, opinions, and ideas expressed in this blog are his alone and not that of his employer. You can follow him on Twitter @theprexpert and email him at brianfeinblum@gmail.com. He feels more important when discussed in the third-person. This is copyrighted by BookMarketingBuzzBlog © 2015


Thursday, March 26, 2015

Book Marketing Flashcards For Authors


My seven-year-old daughter has shown great progress in becoming an independent reader.  One of the things I believe will help her is for her to recognize more words by sight.  I decided to buy some flashcards that help her learn scores of words on one side, and then a chance to create new words on the other side.  It made me think that it would be cool if we had flashcards for ideas, especially ones that help authors to build up their book marketing and publicity skills.  Maybe I’m onto something?

There are many books, online courses, and seminars that profess to tell authors how to promote themselves and their books.  This blog has done that for the past four years.  But if we had to narrow down the core elements that represent the foundation of PR building blocks, what would they be?

Flashcards are usually quick reminders of things.  Children learn numbers, equations, letters, words, and images that help them expand their minds.  Teenagers and even adults use them to prep for tests and to prepare for speeches.  We associate many traits and ideas to a single picture, phrase, or symbol.  Authors need their reminders and cues to jumpstart their book publicity.

I would break the cards down into the core areas that they need to address:

·         Social Media
·         Traditional Media
·         Speaking Appearances
·         Direct Bulk Sales
·         Branding
·         Networking
·         Writing Pitches
·         Press Kit Development
·         Media Coaching
·         Research And Learning
·         Website Launch/Revision
·         Bookstore And Library Singings
·         Brainstorming
·         Creating Marketing Materials

Of course, there are other cards that could be created, but this is a quick-study method, so let’s focus on the above.  Then break each of those 14 areas into subsets.  For instance, traditional media would list national/local/international TV, radio, and print (newspapers, magazines, newsletters, newswires, trade publications).  Social media would be divided into content you generate blogging, podcasting, via video, and on various platforms such as Facebook, LinkedIn, Twitter, Pinterest, Instagram, Google+ and YouTube.  Then there’s getting coverage by others: bloggers, podcasters, reviewers, and major media websites like The Huffington Post.

So the flashcards would identify the areas that need attention, post questions, and give you food for thought so that you’ll spur your own ideas as to what you should be doing.

The questions for each area would revolve around the obvious.  For instance, if the flashcard reads Twitter, it may have these questions:

·         How much time shall I designate towards it today?
·         How many people will I seek to follow me today?
·         How many people will I choose to follow today?
·         How many tweets will I send today?  What will they say?
·         How many retweets will I share today?  What will they say?
·         What types of lists shall I create today?
·         Whose tweets will I read today?
·         How many people will I Direct Message or respond to today?
·         How much time will I spend reading and learning about the profiles of Twitter members?
·         What leads can I find on twitter that lead to real-world contacts?

You get the idea.  It’s all very logical and methodical.  If only you had 240 hours in a day!

If flashcards are helping my little girl to read, they can help you promote and market yourself and your book.  Don’t forget to create a flashcard that says: Read BookMarketingBuzzBlog!

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Brian Feinblum’s views, opinions, and ideas expressed in this blog are his alone and not that of his employer. You can follow him on Twitter @theprexpert and email him at brianfeinblum@gmail.com. He feels more important when discussed in the third-person. This is copyrighted by BookMarketingBuzzBlog © 2015

Wednesday, March 25, 2015

98 Reasons We Read Books


For authors and promoters to market books properly they should have an appreciation of why readers choose to read books in the first pace.  It's our job to convince people why they should read the book we’re promoting. Look at why Americans are passionate book readers, and take a gander at this list, one that is surely incomplete.

I read books because I:

1.      Can.
2.      Feel that I should.
3.      Want to read the word in my own voice and take ownership of them.
4.      Value ideas and information being in one single volume.
5.      Couldn’t remember everything they capture unless I could refer to them often.
6.      Get a sanity check.
7.      Can compare how my life measures with others.
8.      Find an outlet to deliver the rant I want to actually go on.
9.      Want to look and sound intelligent.
10.  Want to gain entrance to a book club that provides a social payoff.
11.  Will learn what others know and create an equal platform.
12.  Want to gain information and insights that will help me negotiate with others.
13.  Need to update and revise previously acquired knowledge.
14.  Want my assumptions challenged.
15.  Get to hear multiple sides or eye-witness accounts to history.
16.  Want to compare it to the movie, play, or TV show version.
17.  Want to tune out my environment.
18.  Will feel hope and optimism.
19.  Can validate what I know, feel, and think.
20.  I can’t think of a better thing to do while in the bathroom, on a train to work, on a plane, or by the beach.
21.  Enjoy doing it before I fall asleep.
22.  Feel alive.
23.  Feel I belong or am understood – and not alone.
24.  Am given an environment that stimulates my thinking and allows me to contemplate, letting my mind wander freely.
25.  Gain a supplement to fill in the void.
26.  Garner a greater insight and understanding on a subject from a perspective and vantage point not otherwise available to me.
27.  Can feel fear and anger without repercussions or an obligation to act.
28.  Am able to see the other side and hear opposing viewpoints.
29.  Can see the record corrected.
30.  Want to see what’s on the next page.
31.  Want to find something that’s quotable.
32.  Seek ammunition to shoot down the arguments of others.
33.  See books as inspiring freedom, educating us, and leading us to live a fuller and rewarding life.
34.  Get sexually aroused.
35.  Am aided in the practice of my faith.
36.  Need a second, third, and fourth opinion.
37.  Like to hear voices from other eras or distant lands.
38.  Enjoy a well-researched, comprehensive body of work on a topic of interest to me.
39.  Get to read to another – child, blind, illiterate – and pass on the joy of books.
40.  Find something worth sharing with others.
41.  Enjoy trivia.
42.  Like to look at statistical data.
43.  Feel I can be intimately put in touch with the lives of others.
44.  Discover word games and puzzles.
45.  Improve my vocabulary.
46.  Enhance my communication skills.
47.  Become a better writer.
48.  Use books to study aid to help prepare for a test.
49.  Want to be on the same page with others.
50.  Learn something new.
51.  Discover things I wasn’t aware existed.
52.  Remain in touch with an activity I have done since I was a little boy.
53.  Feel connected with others who read books.
54.  Want to get a taste of any of the millions of stories that I could never have the time, courage, circumstance or ability to actually live out.
55.  Feel compelled to.
56.  Would feel like I am missing out if I didn’t read.
57.  Know that history lives in books and dies without witnesses.
58.  Couldn’t imagine wordls that could be behind with the ones others have blueprinted in their books.
59.  Can live in another’s shoes without paying for them.
60.  Believe life is better on a printed page than in reality.
61.  Become informed of things we all should know about.
62.  Need a good laugh.
63.  Learn a new skill.
64.  Come to understand how things really work.
65.  Want to discover a philosophical truth.
66.  Need to understand myself better.
67.  Can use some good advice.
68.  Need a good cry.
69.  Want to learn something – anything – and be better for it.
70.  Love being engaged in a lively debate.
71.  Enjoy seeing an issue dissected and examined as if under a lab microscope or cross-examined in a court of law.
72.  Want a stage to live out a fantasy.
73.  Am inspired to achieve more professionally.
74.  Want to see a new path to get what I want.
75.  Am exposed to a fresh perspective on how to reach greater heights in my personal life.
76.  Want to escape my life.
77.  Need a suspension of society’s rules and mores.
78.  Want to be in a world that doesn’t obey the science, history, and imitations of the real one.
79.  Don’t find that other infotainment – blogs, movies, and TV – can serve all of my needs.
80.  Can immerse myself in the life of another, whether real or fictional.
81.  Find it's the one thing that separates me from animals and insects.
82.  Find it’s an activity that requires you bring nothing to the table but an open mind – and to stay awake.
83.  Can do it without needing another person.
84.  Can do it anywhere, anytime.
85.  Can do it without asking anyone’s permission.
86.  Am curious and searching.
87.  Seek to know life’s secrets.
88.  Believe books are art.
89.  Find books not only contain words, but images that dazzle and amaze.
90.  Can be a voyeur to things I would never really want or be able to do, yet I want to see the way others watch a train wreck.
91.  Feel like books can expose the world’s wrongs.
92.  Want to correct the world’s shortcomings by understanding what they are and identifying solutions.
93.  Believe even bad ideas need to be exposed.
94.  Appreciate that my parents encouraged me to read and I repay them book by book.
95.  Had a few good teachers who made book-reading fun and not a chore.
96.  Want great ideas from the past to travel directly to me.
97.  Love how words dance with one another – and then swap partners.
98.  Ran out of battery on my smartphone.

Please add to this list, and pass it along.  Every book-lover will enjoy the list and anyone who should be a book fan may be inspired to become one.

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Brian Feinblum’s views, opinions, and ideas expressed in this blog are his alone and not that of his employer. You can follow him on Twitter @theprexpert and email him at brianfeinblum@gmail.com. He feels more important when discussed in the third-person. This is copyrighted by BookMarketingBuzzBlog © 2015