1. What inspired you to write this book?
One word: "dysregulated." It showed up
everywhere at once, in captions, in coaching ads, in the way people described a
perfectly ordinary bad day. I wanted to know when a normal stress response
turned into a malfunction, and who was selling the repair. That question led me
to the websites of neck gadgets and ear clips. The moment it became a book was
the bottom of one of those pages. Up top, in big letters: "Clinically
Proven." Down below, in small gray type, the study turned out to be forty
people with no placebo group. I laughed, and then I started reading what the
research actually says.
2. What exactly is it about and who is it
written for?
It's a funny, sourced tour of the nervous system
industry: the gadgets, the subscription apps, the six-week resets that end with
a certificate, and the one theory most of them lean on. It doesn't claim stress
is imaginary, and it doesn't call the vagus nerve a myth. A long, slow exhale
genuinely settles people down, sleep does a lot of the heavy lifting, and
doctors use vagus nerve stimulation as a legitimate treatment for specific
conditions. What the book pulls apart is everything layered on top of that real
science. Then it hands over the free version: the things that calm a body down
and cost nothing. Greg, the hustle guru from book two, buys every gadget along
the way so the reader can keep their wallet closed.
It's written for anyone whose heart has raced
before a deadline and who then got told by an ad that their body is broken.
It's also for the skeptic in every group chat, the one who replies to a
wellness post with a single word: "source?"
3. What do you hope readers will get out of
reading your series of books?
A habit, more than any single fact. Each book
takes advice the internet treats as settled (set SMART goals, grind now and
rest later, memorize the red flags, regulate your nervous system) and checks
how much of it survives. Some of it usually does, and I keep that part. What I
hope sticks is the reflex: when something promises to fix you, find the source,
scroll to the fine print, and ask what the free version looks like. If a reader
closes one of my books and skips the next shiny fix, or simply feels a little
less broken, the book did its job.
4. How did you decide on your book's title
and cover design?
The title follows the series formula: F#ck, then
the thing everyone is selling, then what to do instead. "Calm Down for
Free" is the whole argument in four words, and probably the cheapest
promise in the self-help aisle. The hash sign where a vowel should be lets the
title make its point and still get printed, and on the cover it's red, so
nobody misses the joke.
The cover is built like a case file. A label at
the top reads FILE No. 04, the background is plain mint, and in the middle sits
a red rubber stamp that says NOT BROKEN. That stamp is the thesis. A lot of
people who reach for this book have been told their nervous system is damaged,
and the cover disagrees with that before page one.
5. What advice or words of wisdom do you have
for fellow writers, other than run!?
Run toward the fine print, maybe. For nonfiction
in particular, keep your source list while you write, not afterward. If a claim
can't be traced back to where it started, it doesn't go in, no matter how good
the joke on top of it is. Cutting a great line hurts. Being caught out by a
reader hurts a lot more.
Second, write the shortest book that does the
job. I have never met anyone who finished a self-help book wishing it had ten
more chapters of anecdotes. And third, treat your cover as a thumbnail from day
one, because that's how almost everybody will meet it: a tiny square on a phone
screen.
6. What trends in the book world do you see,
and where do you think the book publishing industry is heading?
The obvious one is the flood. Online stores are
filling up with AI-written books produced faster than anyone could fact-check
them. Some are fine. Plenty read like a confident summary of a summary. The
side effect, though, is a healthy one: readers are getting suspicious in the
best possible way. They want to know where a claim came from, and
"source?" has become a fair question to ask a book, not only a person
at dinner. That pushes nonfiction toward writing you can check, with specific
claims, named studies, and a list at the back a curious reader can actually
follow.
The second trend I notice is a taste for short,
focused, evidence-based nonfiction. A slim book that does one job well feels
respectful of people's evenings in a way a padded 300-page version of the same
idea doesn't.
Where it's heading, I think, is that trust turns
into the thing readers shop for. Words are cheap now. A book that shows its
work is the one people will keep passing to a friend.
7. Were there experiences in your personal
life or career that came in handy when writing this book?
My life story stays behind the pen name, and I'd
rather leave that line blank than decorate it. What I can show you is the
process, which probably says enough about whoever is behind it. Each book
starts as a pile of claims and a running list of where every one of them came
from. For this book I visited the product pages myself and copied the marketing
and the fine print word for word, with the date I saw it. I searched the FDA's
warning letters and the FTC's cases from 2023 through September 2026 for this whole
category of gadgets and found nothing, which turned out to be a finding of its
own. So the experience that came in handy most is a stubborn reflex: I always
read the bottom of the page.
8. How would you describe your writing style?
Which writers or books is your writing similar to?
Short sentences, specific numbers, and a joke
every few lines that has to survive a fact check. I write the way I'd explain
something to a smart friend who has about ten minutes: jargon gets translated
or cut, and no chapter runs longer than it needs to. One rule never bends. The
joke lands on the claim or the sales pitch, never on the person who believed
it.
People who enjoy Mary Roach's curiosity, Ben
Goldacre's Bad Science, or Calling Bullshit by Carl Bergstrom and Jevin West
will probably feel at home. I'm not putting myself in their league. Those are
just the shelves I'd love to sit near.
9. What challenges did you overcome in the
writing of this book?
Two, mainly. The first was staying fair to a
theory I ended up criticizing. Polyvagal theory gave many therapists and their
clients a gentle vocabulary for feeling unsafe, and that comfort was real. So
in the chapter about the February 2026 paper where thirty-nine scientists
called the theory untenable, I also quoted its author's reply and wrote a
section on what the theory got right. Pure mockery would have been easier and
worse.
The second was tone. This is a humor book about
stress, and some people will open it during a genuinely hard stretch. Near the
end there's one chapter with no jokes at all: how to tell a rough week from
something that needs real help, and where to go for it. Knowing when to stop
being funny was harder than being funny.
10. If people can buy or read one book this
week or month, why should it be yours?
Because it might save you $269, and it will cost
you roughly two evenings. You'll get a three-question test for telling a broken
nervous system from a bad Wednesday, a breathing trick that's free and that you
already know how to do, and a much sharper eye for small gray print. Every
claim has a receipt at the back, so you can check me instead of trusting me.
And if it turns out you really do need help, the book says so plainly and
points you somewhere real. It's on Kindle now: https://www.amazon.com/dp/B0HLLTKYP8
About The Author: E. Aspen,
a pen name, writes The F*ck It Files: compact nonfiction books with masked
swear words in the titles and long source lists at the back. Each book picks
one piece of advice that everybody repeats and checks it against the research,
keeping what holds up and laughing at what doesn't. So far, the series covers
goal setting, hustle culture and rest, dating red flags, and now the nervous
system industry. Every book ends with a chapter-by-chapter Receipts section,
and everyone is meant to be finished in an evening or two. A standalone book on
overthinking, with a title you can say out loud, is on the way. For more info,
please see: https://www.amazon.com/dp/B0HLLTKYP8
Marketing Help?
Brian
Feinblum can be reached at brianfeinblum@gmail.com He is available to help authors like you to promote
your story, sell your book, and grow your brand. He has over 30 years of
experience in successfully helping thousands of authors in all genres. Let him
be your advocate, teacher, and motivator!
About Brian Feinblum
This award-winning blog has generated over
11 million page views. With over
5,700+ posts over the past 15 years, it was named one of the best book
marketing blogs by BookBaby http://blog.bookbaby.com/2013/09/the-best-book-marketing-blogs and recognized by Feedspot in 2026, 2021
and 2018 as one of the top book marketing blogs. It was also named by www.WinningWriters.com as a "best resource.” Copyright 2026.
For
the past three decades, Brian Feinblum has helped thousands of authors. He
formed his own book publicity firm in 2020. Prior to that, for 21 years as the
head of marketing for the nation’s largest book publicity firm, and as the
director of publicity at two independent presses, Brian has worked with many
first-time, self-published, authors of all genres, right along with
best-selling authors and celebrities such as: Dr. Ruth, Mark Victor Hansen,
Joseph Finder, Katherine Spurway, Neil Rackham, Harvey Mackay, Ken Blanchard,
Stephen Covey, Warren Adler, Cindy Adams, Todd Duncan, Susan RoAne, John C.
Maxwell, Jeff Foxworthy, Seth Godin, and Henry Winkler.
His
writings are often featured in The Writer and IBPA’s
The Independent (https://pubspot.ibpa-online.org/article/whats-needed-to-promote-a-book-successfully) and (https://pubspot.ibpa-online.org/article/10-things-my-dog-taught-me-about-marketing-books). He was recently interviewed by the IBPA: https://www.youtube.com/watch?v=F0BhO9m8jbs
He
hosted a panel on book publicity for Book Expo America several years ago, and
has spoken at ASJA, three times at BookCAMP, Independent Book Publishers
Association, Sarah Lawrence College, Nonfiction Writers Association, Cape Cod
Writers Association, Willamette (Portland) Writers Association, APEX, five
times at Morgan James Publishing Red Carpet, and Connecticut Authors and
Publishers Association. He served as a judge for the 2024 IBPA Book Awards.
His
letters-to-the-editor have been published in The Wall Street Journal,
USA Today, New York Post, NY Daily News, Newsday, The Journal News (Westchester)
and The Washington Post. His first published book was The
Florida Homeowner, Condo, & Co-Op Association Handbook. It
was featured in The Sun Sentinel and Miami Herald.
Born
and raised in Brooklyn, he now resides in Westchester with his wife, two kids,
and Ferris, a black lab rescue dog, and El Chapo, a pug rescue dog.
You
can connect with him at: https://www.linkedin.com/in/brianfeinblum/ or https://www.facebook.com/brian.feinblum

No comments:
Post a Comment
Note: Only a member of this blog may post a comment.