Taylor
Swift, pop culture’s current darling, turned heads when she declined Spotify
the chance to play any of her music. The
controversy has gotten her a lot of publicity and her music sales are soaring
up the charts. The issue over free
content in music, books, movies, and television is one that really needs to be
explored.
Authors
and publishers have been experimenting the last few years with free books. Up until the digital revolution it was cost-prohibitive to hand out free books. Not
only did you have the cost of producing a paper book to factor in, but you had
shipping and mailing costs to worry about.
But prior to the ebook movement, authors and publishers would hand out
some free copies to people in the media, influencers, or people they hoped to
impress and secure big sales orders or glowing testimonials. But the amount of books given away was limited.
Now,
with the advent of the eBook, authors and publishers can distribute free books
to the masses. For instance, Amazon
allows you to make the Kindle version available for free for a select period of
time. In just a few days even unknown,
unproven authors can get thousands of downloads. You may say that publishers lose potential
sales by handing something away that could be sold, but others will say that
the free introduction to an otherwise ignored writer provides two opportunities
at sales.
First,
if the book is really good and embraced by the freeloaders, word of mouth will
spread and now thousands of others will be encouraged to buy the book.
Second,
if the author has published other books, he or she can hope that the
freeloaders will love their book so much that they’ll feel compelled to seek
out the other paid works of the talented author.
The
thinking behind free books could work on an individual level, as either or both
of the stated scenarios have worked for many authors. There’s even a third potential payoff. Let’s say the free book is intended as a loss
leader for the author to drum up sales of non-books or to generate paid
consulting gigs. Getting, say, a book
about retirement planning and financial investing out to thousands of people
could lead to them visiting the author’s side where services and products that
cost hundreds or thousands of dollars are made available.
It would
seem that the free book concept makes sense for the author. To give the book away costs noting to the author. Further, not every free download was
otherwise destined to be a sale. People
only got the book because it was free, not because they wanted it. But for the industry, free books are
extremely costly and pose the greatest threat to it, right up there with
declining print, vanishing bookstores, and Amazon pricing and monopolization.
Here’s
why free books are not good:
1.
People
get used to free content and come to expect to keep reading without
paying. Blogs and online media content
were the first wave of free and now books are being given away like it means
nothing.
2.
Even
as people still pay for books, they will soon see price deflation, because paid
can’t compete with free. Everyone’s
lowering their prices to salvage sales.
3.
Time
is a big factor. Readers don’t have
enough time nor the desire to read a zillion books. Every minute they spend reading a free book
is a moment taken away from buying a book and reading it.
4.
People
are less apt to invest much time or effort into something they get for
free. Books should not be commoditized
or seen as disposable. Books must be
revered, saved, displayed, shared, and discussed as part of the cultural fabric
that bonds us together.
5.
The
more time people spend on free digital books, the less time they spend in a bookstore
buying printed books. The industry needs
paper to exist and for the book market to have a physical gathering place and showcasing presence.
Free
books put the author vs. the industry.
In the short-term, individuals who dabble in free will prosper from what
they do. In the long-term, the industry
will suffer for it We need a
compromise. How about free starts?
Yes, you
download a book and can read the first 20% of it for free. If you like it and want to continue, you pay
for it. Maybe you get a discount or
maybe you get some other bonus for converting free into pay, but something must
be done to incentivize people to try unknown authors while rewarding those with
good books and doing so in a way that doesn’t harm the ecosystem of the book
industry.
Now, if
I can only tackle a way to make money from this blog!
Brian Feinblum’s views, opinions,
and ideas expressed in this blog are his alone and not that of his employer,
Media Connect, the nation’s largest book promoter. You can follow him on
Twitter @theprexpert and email him at brianfeinblum@gmail.com. He feels more
important when discussed in the third-person. This is copyrighted
by BookMarketingBuzzBlog © 2014
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