“For
many centuries, books have been emblems of our culture and regarded as one of
the defining characteristics of civilization,” says author David Pearson in his
2008 book, Books as History: The Importance of Books Beyond Their Texts.
“They have been symbolically central to many religions and they have been identified with learning and sound moral virtues…Books are tremendously familiar objects, and easy to find. New ones are being produced all the time, and our libraries and bookshops are full of them providing access to information, knowledge and cultural heritage. As historical artefacts go, they are still relatively cheap to acquire and abundant to supply.”
“They have been symbolically central to many religions and they have been identified with learning and sound moral virtues…Books are tremendously familiar objects, and easy to find. New ones are being produced all the time, and our libraries and bookshops are full of them providing access to information, knowledge and cultural heritage. As historical artefacts go, they are still relatively cheap to acquire and abundant to supply.”
This
most unique book, beautifully presented with images on glossy paper,
challenges the idea that books are interesting beyond being portals of content,
and that they have much more to offer as cultural and historical artifacts.
In
the foreword to the revised 2011 edition, it outlined why such a book was
written: “Books as history has two main themes:
Primarily it is about the various ways in which books can be interesting
as artifacts, as objects with individual histories and design characteristics,
beyond whatever value they have in the texts they convey. The ways in which books are made, owned, written
in, mutilated, and bound all add something to the documentary heritage which is
central to the record of human civilization. The second theme is, around the
importance of seeing this, at a time when the world of books is in flux, and
the need for them is questioned as their traditional functions are increasingly
undertaken by electronic media. Books
may cease to be read but let us recognize that we may have other reasons to
value them."
There
has been a race or a competition between digital books and printed books, and
between digital anything and printed materials and even between the free
Internet and the paid book. Though many
more people still appear to be more comfortable with reading a printed book
over consuming it on a device, that still could change. The answer will not be that digital nor print
goes away and only one is used exclusively, but the question is: How can a balance be ensured so that the
printed book never leaves us?
Books
can be seen as something other than a housing of knowledge or ideas. It can go beyond the transmission of mere
text. “A beautifully produced book,”
says Pearson, “or a splendidly illustrated one, will often be readily regarded
as a work of art in its own right.”
He
adds: “The potential of books as forms
of art goes beyond the juxtaposition of text and pictures, or the use of
pleasing typography in good layouts; people have sought to apply a creative
vision to all the various elements that make up a book, to achieve a genuine fusion
of words, images and design in a synthesis that relies partly on the physical
format of the book for its effectiveness.”
It
seems in the past few years the book industry has settled into a new norm. Ebook sales have declined a little and paper
books have increased a little over the past three years. The Great Recession is over and the ebook
revolution has stalled. People still
value printed books, brick-and-mortar bookstores, and old-fashioned libraries.
But this is by no means a finish line.
The order can easily be upset by any number of factors, trends, values, or economic reasons.
The
advent of the Internet is the big challenge, not just to printed books and
physical stores, but to the book itself.
Free content flourishes online, from web sites, blogs, podcasts, and
articles from the news media. Will
people continue to read long-length books?
Will they continue to pay for them?
Though
other media has come on the scene, such as radio and television, neither proved
to injure books. In fact, they
supplement one another and co-exist effectively. But can the book still survive the immediacy,
availability, and massive scale of free content provided by the Internet?
Pearson
concludes as follows: “The death of the book
is resisted and denied at least as much as it is forecast, partly on the
grounds of empirical observation and partly on more sentimental ones. People like books, and many current users of
such a familiar and trusted part of the fabric of life are instinctively
hostile to the notion that they become less necessary. More concretely, it is argued that we are
still seeing a steady increase in the numbers of books published and purchased
year on year, that the e-books of today are clumsy substitutes, and that the
long-term stability of electronic media has yet to be proven. The death of the book could be like the
paperless office, a false prophecy which will not come to be.”
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Brian Feinblum’s views, opinions, and ideas expressed in this blog
are his alone and not that of his employer. You can follow him on Twitter
@theprexpert and email him at brianfeinblum@gmail.com. He feels more
important when discussed in the third-person. This is copyrighted by
BookMarketingBuzzBlog 2017©. Born and raised in Brooklyn, now resides in
Westchester. Named one of the best book marketing blogs by Book Baby http://blog.bookbaby.com/2013/09/the-best-book-marketing-blogs
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