Literary Titan says: “Yankeeland is a sweeping tale of hope, resilience, and transformation that weaves through decades and continents. Centered on Brigid Kelly's journey from a stifling Irish village to the promise-filled shores of America, the novel explores family dynamics, societal expectations, and personal ambition. Brigid's dreams clash with her father's traditions and her stepmother's rigid control, culminating in her determined escape to the New World with her husband, Ben. What unfolds is a compelling narrative of immigrants grappling with love, identity, and survival in a land where opportunities are as abundant as the challenges.”
1. What is your debut novel, Yankeeland, about? Yankeeland is a historical fiction novel following Brigid
Kelly, an Irish immigrant seeking a new life in America in the early 20th
century. Leaving behind a restrictive life in Ireland, Brigid hopes for freedom
and opportunity, but she soon faces harsh realities. As she navigates an
unforgiving new world, she confronts the limits imposed on women and the
sacrifices required to survive. Exploring themes of resilience, identity and
the generational struggles of women in a society that often seeks to silence them.
Rich in historical detail and emotional depth, Yankeeland is a compelling tale
of hope, endurance, and the unbreakable spirit of a woman determined to define
her own destiny.
2. What was life in America like, circa
1908, for a young female? Women were deeply constrained by a patriarchal system endemic in all
aspects of society. Yankeeland gives a deep insight into the challenges faced
by women in their roles and in the expectations that came with that. Not least
the emphasis placed upon marriage and childbirth. Education for females was
purposefully overlooked, if not forbidden, clearly to keep women docile and in
the roles that society assigned to them. History shows us how damaging this
societal belief has been for women and whilst respecting that it was of its
time, it was an accepted and rarely challenged way of society. My objective in
researching these stories is to bring into focus the importance of learning
from our shared history.
3. Brigid, your main character, is
married and fails to conceive a child. Why was her sense of self so wrapped up
in the concept of being a mother? Brigid’s sense of self is deeply tied to motherhood because,
in her time and culture, a woman’s worth was often measured by her ability to
bear and raise children. Coming from a traditional Irish background she was
raised with this expectation that marriage and motherhood were central to a
woman’s identity. Beyond the societal pressures Brigid also longed for motherhood
as a way to create a loving family of her own, something she had lost at a
young age. Her inability to conceive is not just a personal heartbreak but also
a challenge to her identity and purpose. When this role is taken from her it
forces her to redefine herself, adding to her journey of resilience.
4. It is also about mental unwellness.
What message are you seeking to convey here? Lives marked by
mental instability quite often do not allow for awareness. For the
sufferer, mere existence can become an all-consuming struggle. It was important
for me to explore this journey staying as close as I could to the truth of the
experiences I was writing about. I had the ability to draw on lived
experiences, which proved invaluable in detailing some of the more profound
moments in this story, offering a thought-provoking insight into the perception
and treatment of mental health and how not enough has changed in the
intervening period. In my experience, few have been untouched by mental
instability, either directly or indirectly. Yankeeland tells a story that I
hope will resonate and spark honest public debate.
5. Your
story centers around the keeping of family secrets. Do some secrets destroy
people? Truth
is fragile. Reading Brigid’s letters forever changed how I view secrets. I have no doubt that the secrets in this
story were kept out of love—but isn’t truth the greatest act of love?
Information is power and confronting secrets offers liberation from the
shackles of the past, allowing humanity to move forward. Stigma, a mark of
shame or discredit, has been wrongly attached to mental health for far too
long. Yankeeland reveals how this unfolded through the hidden truths in the
letters. Yet, I find myself asking—why have the letters endured? Why had
those who knew held onto the darkest correspondence, with innermost thoughts
laid bare? I believe that, on some level, the letters were cared for—preserved
as if waiting for their destiny, waiting for me to tell this story and
illuminate a dark time in our history.
6. What did you think — and how did you feel
— when some 30 years ago you read some 200 letters and postcards sent across an
ocean that were penned a century ago? When I first read those letters,
sent across an ocean and penned a century ago, I was both humbled and ecstatic.
It felt like an honor to be the first to read them in decades and some for the
first time since then had been penned. I can still remember sitting on the
floor, piecing together their journey with the excitement of an avid
sentimentalist—until I began to uncover the depth of the tragedy and the
secrets within. I realized how many lives had been affected, never to
understand the truth in their lifetimes, and the agony of it consumed me.
7. Yankeeland is a remarkable
fictionalization of some key points in your family’s history. How challenging —
or cathartic — was it for you to write this book? Yankeeland
stems from a place of deep respect for those who suffer—directly or
indirectly—from mental instability. As the youngest of six children, I grew up
witnessing the impact of mental illness firsthand, with three of my siblings
affected. When I read those letters that inspired this book, I realized our
family’s struggles were not new; they stretched back generations. That
discovery shaped my understanding of illness—not as something that defines a
person, but as an intrinsic part of the human experience. How we manage it
defines us. We must embrace our differences, for it is our shadows that cause
the greatest of our conflicts—and our deepest truths reside.
8. Your book is heavily character driven. How
did you go about drawing them? I
wanted the characters in Yankeeland to feel authentic, so I approached them
with deep emotional and historical grounding. Brigid, in particular is shaped
by the real struggles of women of her time—resilience in the face of
oppression. I drew from historical research, personal letters, and oral
histories to ensure their experiences reflected the realities of the time. Each
character carries a unique emotional arc shaped by their personal desires and
societal limitations. By focusing on their inner lives—I aimed to create
characters that feel as vivid and complex as real people. Their voices lingered with me, guiding the
narrative’s emotional depth and authenticity.
9. Why do you think many people are drawn to
intergenerational stories like Yankeeland? It is important to understand the impact and the power of
intergenerational stories, if we look closely enough quite often there is
repetition. My words are lived, they are experiential in the ways of family
trauma that is passed down through the generations. The debate rages on if
mental health is genetic, environmental or a defect from birth. I believe it is
all of those things and I believe that trauma is generational, carried through
the lineage until it is healed. We cannot change the past, but we can influence
future generations. I believe at some level as human beings we have an inherent
knowing and by taking the time to connect into this sense of knowing we can
bring light and healing.
10. One testimonial for your book said it
“reflected the quiet strength of women who refuse to be erased.” Do you agree?
Why? I loved this quote, it captures
the essence of Brigid who faced systemic challenges, including societal
expectations, patriarchal oppression and the rigid constraints placed on women
of her time. Despite these hardships, she persists asserting her independence
and resilience. Brigid’s journey highlights the struggles of many women in
history who were often overlooked or dismissed, yet found ways to carve their
own identities and destinies. Brigid’s ability to navigate these difficulties,
maintain hope and push forward against adversity embodies the quiet strength
the testimonial refers to. Her story, along with the novel’s exploration of
generational struggles, underscores the lasting impact of women’s choices. Through Brigid, Yankeeland captures the
strength, sacrifice and determination of women who despite adversity, refused
to disappear.
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About Brian Feinblum
This
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2025.
For
the past three decades, Brian Feinblum has helped thousands of authors. He
formed his own book publicity firm in 2020. Prior to that, for 21 years as the
head of marketing for the nation’s largest book publicity firm, and as the
director of publicity at two independent presses, Brian has worked with many
first-time, self-published, authors of all genres, right along with
best-selling authors and celebrities such as: Dr. Ruth, Mark Victor Hansen,
Joseph Finder, Katherine Spurway, Neil Rackham, Harvey Mackay, Ken Blanchard,
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Maxwell, Jeff Foxworthy, Seth Godin, and Henry Winkler.
His
writings are often featured in The Writer and IBPA’s
The Independent (https://pubspot.ibpa-online.org/article/whats-needed-to-promote-a-book-successfully).
He
hosted a panel on book publicity for Book Expo America several years ago, and
has spoken at ASJA, BookCAMP, Independent Book Publishers Association Sarah
Lawrence College, Nonfiction Writers Association, Cape Cod Writers Association,
Willamette (Portland) Writers Association, APEX, Morgan James Publishing, and
Connecticut Authors and Publishers Association. He served as a judge for the
2024 IBPA Book Awards.
His
letters-to-the-editor have been published in The Wall Street Journal,
USA Today, New York Post, NY Daily News, Newsday, The Journal News (Westchester)
and The Washington Post. His first published book was The
Florida Homeowner, Condo, & Co-Op Association Handbook. It
was featured in The Sun Sentinel and Miami Herald.
Born
and raised in Brooklyn, he now resides in Westchester with his wife, two kids,
and Ferris, a black lab rescue dog, and El Chapo, a pug rescue dog.
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can connect with him at: https://www.linkedin.com/in/brianfeinblum/ or https://www.facebook.com/brian.feinblum
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