At a gathering recently someone asked me what I did for a
living. I said I wrote
books for young people. What followed was a conversation every writer of
picture, middle-grade, and YA books has probably had many times. He asked if I
had ever thought about writing for adults? I said I had and I have. He asked if
I’d ever thought about writing for TV. Again, I had not only thought of it, but
had done it. Then he asked if I’d ever thought about the big time? For a moment
I thought he meant trying to write a best seller, but it turned out he meant
writing for film.
There too, I had both thought about it and done it,
although I’ve never had anything more than the script for a made-for-television
movie produced. In fact, in more than forty years of writing there probably
isn’t much I haven’t done. Newspapers, magazines, advertising, public
relations, poetry, song lyrics, short stories, novels, book series, TV and
movie scripts, even fortunes for risqué fortune cookies (those were actually my
first best sellers).
In the process I have worked alone, in collaborations, and
with teams of writers. And, as I’m sure many others have, I’ve pictured myself
in “the big time,” writing bestsellers and blockbuster movies, giving lengthy
interviews on radio and TV, appearing on the covers of magazines, and sitting
at tables in book stores while long lines of fans waited for my autograph.
Now that I’ve reached my 60s most of those fantasies have
passed. These days, the idea of writing a movie script, of going Hollywood, and
all that implies, doesn’t hold much appeal (except for the medical benefits
offered by the Writer’s Guild of America). A bestseller would still be
wonderful, of course, but in the meantime I find I’m content to work quietly
and by myself in my “workshop,” feeling the way I imagine a craftsman must
feel. Mostly, what I dream about now is producing a really good piece of work.
Something akin to a handcrafted desk or dresser…
Please allow me to explain the non-sequitur. For most of my
life I didn’t pay a great deal of attention to furniture. It was there to put
things on, or in, and I used it like everyone else. Even antiques and museum
pieces held little fascination for me. After all, it was just … furniture.
Then one day my wife and I took our children to colonial
Williamsburg, Va. In one of the old shops I watched a cabinetmaker work on a
replica of an antique desk, complete with inlay and beveling and all the other
carefully added flourishes that perhaps only a handful of craftsmen have time
for anymore.
After a while the kids got impatient and my wife took them
to see the wigmaker and the blacksmith, but I stayed and observed the care and
precision with which this craftsman went about his work, the ultimate reward
not being the opportunity to give an extended radio interview, nor appear on a
magazine cover, but the simple pride and satisfaction that comes with having
produced a really solid, sturdy, well-crafted piece.
Even then I didn’t give up my fantasies right away. I had
to sign books for long lines of fans, only to see some of those autographed
books appear for sale on eBay the very next day. I had to give some long radio
interviews and appear on television a few times to realize that so many people
do these things now that it hardly makes a difference. I had to walk down the
red carpet at the premier of a movie made from one of my books to find out that
unless you are J.K. Rowling the paparazzi has no interest in the novel’s
author.
I’m glad I had those experiences, because – and I know this
will sound clichéd – they
helped me to focus on what I now believe are the important things in life:
family, friends, and working patiently to produce something solid, sturdy, and
lasting.
Todd Strasser has written more than 100 books for teens and middle
graders including the best-selling Help!
I’m Trapped In … series and
numerous award-winning YA novels including The
Wave, Boot Camp, and Fallout, which the
New York Times called, "Exciting, harrowing ... Superb entertainment.” His mysteries include Kill You Last, which was nominated for the
Edgar Allen Poe Award by the Mystery Writers of America. He has also written for The New
Yorker, Esquire, and The New York Times. toddstrasser.com
Brian Feinblum’s views, opinions, and ideas expressed in this
blog are his alone and not that of his employer, Media Connect, the nation’s
largest book promoter. You can follow him on Twitter @theprexpert and email him
at brianfeinblum@gmail.com. He feels more important when
discussed in the third-person. This is copyrighted
by BookMarketingBuzzBlog © 2014
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