1. What inspired you
to write this book?
To be
completely candid, I didn't intentionally write the bulk of the poems in this
volume of poetry. I write poetry like the gastroenterological requirements of
someone whose entire diet consists solely of cheese. Eventually, it just needs
to come out. Subsequently, most of the poems were already written before a
friend suggested I publish them, though a few more showed up when the book
started taking shape.
2.
What exactly is it about — and who is it written for?
It's
about what it's all about (42). It's written for polymaths, autodidactic and
otherwise and people with an infinite curiosity and a love of puzzles. It's far
more than it seems. Like how the infinite can fit within a finite space,
depending on the direction one goes. Often homonyms and multiple definitions
allow for various interpretations of the text.
3. What do you hope
readers will get out of reading your book?
Wonderment.
4. How did you decide
on your book’s title and cover design?
Well as for Science & Mysticism, it is for the most part
what it says on the tin. The Veil's Cipher was a line of dialogue from a show I
was watching while distracted that intrigued me. Then I rewound and figured out
that wasn't at all what had been said; I wrote it down anyway. About three
years later, it made perfect sense as the title to the eponymous collection
of poems.
I
worked with the wonderful Sebastian Cudicio to create the cover. I initially
had two requests: that green be the predominant color, as it was my
grandmother's favorite and that the ampersand be prominent. He introduced the
concept of an obscured image and I then wanted it to be something astronomical.
The cosmos contained in a letter.
5. What advice or
words of wisdom do you have for fellow writers – other than run!?
Keep running
6. Were there
experiences in your personal life or career that came in handy when
writing this book?
They
really are musings and ruminations. A partial lifetime of curiosity and
contemplation was helpful. When I was a child, I played what I called "The
Dictionary Game". I'd either look up a word or flip to a random page and
read until I found a word I didn't know; then I'd look that up. Rinse and
Repeat
7. How would you
describe your writing style? Which writers or books is your writing similar to?
I think
the poems' style is often informed by the subject matter. It's typically
lyrical. I'd like to say it's similar to Emily Dickinson and Jorge Louis Borge,
though that seems presumptuous. Often it might be closer to a combination of
Theodore Geisel and Richard Feynman. Some aspects share conceptual similarities
to Flatland by Edwin A Abbott and Einstein's Dreams by Alan Lightman.
8. How do you feel
your book compares to others in your genre?
To
poetry as a genre? Likely esoteric and erudite. More analytical than the
romantics and more romantic than the brutalists.
9. What challenges did
you overcome in the writing of this book?
I wrote
the book unencumbered by expectation. The challenges all came along with
publishing. They included self-doubt, Amazon (KDP) refusing to publish a
book in tête-bêche format, the two star review (my first review for my first
book) because the reviewer thought the language too advanced and readers might
need to look something up in a dictionary and then more self-doubt.
10. If people can buy
or read one book this week or month, why should it be yours?
I'd say most people shouldn't. Perhaps it's just not your cup of tea. Why would you want to think so much? Maybe you simply want to be spoon fed? To the few that do; because if you look closely, something new can be discovered each time you read it
About The Author: Born in Paterson, NJ. Raised on the Gulf coast of FL and lives
there currently. Worked in IT since the beginning of this Millennia. Enjoys
cycling and hiking or just about anything outdoors in the wilderness. Greatest
passion is learning and makes for a valuable addition to any pub trivia team,
barring sports and pop culture. A car wreck left a previously kinetic existence
far more limited and sedentary for a while, though things have improved
considerably year over year. A Hummer at 80 has a real possibility of being
fatal, so all things considered quite lucky. The severe blow to the head seems
to have resulted in poems leaking out at a higher rate. Maybe cartoons were
right? Sometimes a swift knock to the noggin' has wonderfully unexpected
results (or silver linings, at least) For more info, please see: https://bthomasbigelow.com
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For
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has spoken at ASJA, BookCAMP, Independent Book Publishers Association Sarah
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Connecticut Authors and Publishers Association. He served as a judge for the
2024 IBPA Book Awards.
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and The Washington Post. His first published book was The
Florida Homeowner, Condo, & Co-Op Association Handbook. It
was featured in The Sun Sentinel and Miami Herald.
Born
and raised in Brooklyn, he now resides in Westchester with his wife, two kids,
and Ferris, a black lab rescue dog, and El Chapo, a pug rescue dog.
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