Author
of Will
You Won't You Want Me? (St. Martin's Press)
1. What inspired you to write your
book?
I grew up in New York City and
moved to California for college, while most of my friends stayed behind --
close to home. A few years after graduation, I had a conversation with my
father about how I noticed some of my friends starting to struggle with moving
beyond being high school "popular kids" into functional adults. He
asked me what would have happened to me if I never left home. That got me
thinking, not about my own experience per se, but about whether leaving home
helps us evolve.
I am drawn to writing delayed coming-of-age stories, partially because I think that's the new norm (millennials can attest to that) and also because I relate. What's also interesting to me is that kids are transitioning into full adults later and later, as they explore the countless paths available. It's easy to get overwhelmed and paralyzed by too many choices and not know which way to turn. There's a moment for most of us in our twenties when we feel lost and upset and like we're not sure how to move forward. I can remember that feeling viscerally. I personally grew up in a family full of artists who all seemed to understand their passions from birth. I was less sure -- my path was less clear -- and figuring out what my life should look like was really fraught and difficult. There were many tearful nights.
I wanted to explore that experience and tell that story, one to which so many people can relate. It's the story of searching in the face of confusion. It's the story of finding that core identity.
2. What is it about?
The novel tells the story of Marjorie
Plum, a 28-year-old woman who was once the most popular girl in school and who
is now stuck in a serious rut. When her already lackluster life -- bad job,
stale friendships -- begins to fall to pieces, she's forced to confront extreme
change. She moves to Brooklyn, she meets a weird new pixie-looking musician
roommate, she becomes a tutor to an 11-year-old girl who she wants to help,
despite feeling unequipped. She considers a relationship with a "what
if" guy from her past. Ultimately, she's forced to figure out what kind of
person she wants to become.
But also, at every age, we are faced with both anticipated and unexpected changes (births, deaths, new relationships, divorces, job shifts, moves, emotional turmoil) and then inevitable growing pains. The question is whether we're ready to move forward or feel more comfortable retreating into the past. I've come to think of all those transitions as moments of coming-of-age -- again and again. So the book is really about that universal feeling of disorientation.
3. What do you hope will be the
everlasting thoughts for readers who finish your book?
My hope is that readers will,
first, enjoy the ride and find humor in the book. Then, after finishing, I hope
that they'll relate to Marjorie's journey into the next stage of life and feel
hopeful and like they're not alone in their own transitions. In that way, I
hope WILL YOU WON'T YOU WANT ME? will stay with them, as they roll with
life's inevitable changes.
4. What advice do you have for
writers?
Write. Even when what comes out is
terrible; even when you feel like you don't have it. Just write. Write through
the good days and write through the bad. Write two sentences when you have no
time and pages upon pages when you're in the zone. Don't put too much pressure
on it. Just be open to what might come and wait for the gems and the truths to
emerge.
5. Where do you think the publishing industry is heading?
I honestly don't know. I have to
assume that books will always exist in some capacity. People love stories. And
there's nothing better than escaping into a great book. Obviously, print is
becoming less significant as digital grows. The publishing world has to learn
to roll with change just like we all do. In the meantime, it's nice to see the
growing diversity of writers and the slow but steady representation of more
varied voices.
6. What challenges did you have in
writing your book?
This was a story that I think was
percolating in my head for a long time, so I think one challenge was not
getting bogged down in some old take on the narrative. I overwrote this one
though and, luckily, my editor made me cut a lot (which really improved the
story). That was probably the biggest challenge. Also, I wanted Marjorie to be
emotionally arrested at the beginning, so it was a delicate balance to make
sure that she continues to grow and become more sympathetic incrementally as
the story goes on.
7. If people can only buy one book this month, why should it be yours?
WILL YOU WON'T YOU WANT ME? offers
dimension without darkness. It's a thinking book with (hopefully) resonant
universal themes, but it's not heavy. It's funny and relatable. A lot of
readers have told me that, especially as they hit the last third, they were so
absorbed that they had trouble putting it down and stayed up into the early
hours to finish or even missed their subway stop. I consider that the highest
compliment and it's definitely what I want out of a summer read, particularly!
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