Monday, September 26, 2016

Interview With Author James Carpenter

1. What inspired you to write your book?
Several years ago, I met a man in West Philadelphia who was flashy, self-confident, extraordinarily friendly, and wildly eccentric. He got stuck in my mind and a few weeks later I wrote a parody of him into the opening paragraph of what would eventually become No Place to Pray. I named him LeRoy. Over the months and years that followed, the novel changed in every way a story can possibly change: plot, setting, point of view, structure, language, tone. Everything except LeRoy, the one constant. But even he underwent a transformation as the story let me know it wanted to be tragedy, not pastiche.

2. What is it about?
No Place to Pray is the story of two friends, one biracial and the other white, who share a self-destructive alcohol addiction. Over the twenty years of their friendship they lose everything except each other. It’s also a commentary on the failure of social and religious institutions to provide a lifeline in times of despair, leaving the book’s denizens with no place to pray.

3. What do you hope will be the everlasting thoughts for readers who finish your book?
No Place to Pray’s first chapter ends with this line: “They stood up from the steps, some of them swaying, and got in the cars and went off in a line toward town, their glowing taillights like a string of beckoning lanterns guiding all prodigal wayfarers home.” My hope is that readers leave the book asking, "Is there more that I can do to lighten the prodigal’s burden and welcome them back?"

4. What advice do you have for writers?
Begin early to establish a network. Find people who will support you and that you in turn can support. Build friendships around writing and reading. You’ll need favors as you go, people to critique your writing, give advice about publishers and agents, and to help you with the mechanics of submission. But it won’t work if you see the network as only sustaining you. Give back. For every favor you ask, grant two. Every time someone in your network reads one of your works, read someone else’s. Be gracious and generous with your time. Be genuinely curious about what others are doing. As you buoy each other up, you’ll all become better and more successful writers.

5. Where do you think the book publishing industry is heading?
Would anyone have guessed fifteen years ago when the Kindle hadn’t yet been invented that eBooks would comprise 20 percent of today’s market? What about the growing legitimacy of self-publishing, once derided as the vanity press? Web site publishing? On demand publishing? What these practices have in common is that they were unforeseen and profoundly disruptive. In the same way, I don’t think we can predict what comes next and what comes after that, other than to say that whatever it is, it will be even more disruptive than what we see now. All of us, wherever in writing and publishing we stand, are in for a bumpy ride.

6. What challenges did you have in writing your book?
No Place to Pray has three plot lines (four, if we count LeRoy’s adventures) occurring in three time periods and two settings. All of them intersect each other. My most difficult problem lay in how to structure these interwoven parts in a way that wouldn’t bewilder the reader and to make the text flow as naturally as possible. Over the five years it took me to write the book, I tried a number of approaches before settling on the annunciative technique I finally used. Originally, I organized the book into five parts, one for each of the threerealistic lines, one for LeRoy’s stories, and a fifth for a series of letters Edna wrote to her daughter. The result was a mess. Nothing melded smoothly into anything else, incidents that logically led to others were so far removed from each other spatially that the connection wasn’t at all obvious, and the book was just too long. Eventually I dropped Edna’s letters altogether (anexperience much like going through the passing of a dear friend), interlacedwhat remained, and finally set the chapter tags.

7. If people can only buy one book this month, why should it be yours?
It shouldn’t be mine. Every reader has a list of books they’ve been meaning to get to for a long time and just haven’t been able to. Something they wish they’d read to fill a gap in their reading experience or that one book by a beloved author that they missed or a book a close friend recommended months ago and they promised to read. If you can buy only one book this month, indulge yourself and choose one from that list. No Place to Pray will still be here next month.

Born and raised in rural Mercer County, PA, James Carpenter made his way through college working various eclectic jobs and, after graduating, taught middle and high school English. He then retrained as a technologist, eventually developing the Erica T. Carter software system that composed the poetry anthologized in the Issue 1 dustup. Erica’s poetry has been published in several dozen literary journals and he’s presented Erica at international conferences, including at the University of Pennsylvania, Brown University, and the e-poetry 2007 conference in Paris.

Carpenter spent fourteen years as a member of the affiliated faculty of The Wharton School, where he lectured in computer programming, system design, and entrepreneurship before retiring to write fiction. Since then, his writing has appeared in numerouspublications including The Chicago Tribune, Fiction International, Fifth Wednesday Journal, North Dakota Quarterly, and Ambit. His novel, No Place to Pray, is forthcoming from Twisted Road Publications in September.

Learn more on his website, or through Facebook, Twitter, LinkedIn, and Goodreads

No Place to Pray can be purchased on Twisted Road Publications, Amazon, and Barnes & Noble.

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Brian Feinblum’s views, opinions, and ideas expressed in this blog are his alone and not that of his employer. You can follow him on Twitter @theprexpert and email him at brianfeinblum@gmail.com. He feels more important when discussed in the third-person. This is copyrighted by BookMarketingBuzzBlog 2016 ©.

Interview With Author Bill Thompson

1.      What inspired you to write your book?
The inspiration came from three things: the events of 9/11, the ongoing threat of terrorist strikes in America and an unsettling idea—that with enough money and connections, dangerous people could put a man in the White House.  The idea for this book arose from my wondering what would happen if both the President and Vice President disappeared but were not conclusively dead. In such a situation there is no precedence for appointing a successor. In my story, many citizens believe terrorists are behind this so it’s imperative that order be restored quickly to avoid panic. Since Brian Sadler and the sitting president are college roommates and best friends (from a previous book in the series) it made sense that Brian could help.

2.      What is it about?
It’s about what happens when a boorish, dislikable career politician assumes the presidency, presumably to calm a tense situation. A billionaire in the Middle East wants to control a major U.S. corporation and suddenly—with Cham Parkes in the White House—he has a perfect way to make it happen.  Was it all part of a plan?  Brian Sadler is recruited by the CIA for a routine mission in London that involves the billionaire’s daughter, whichsuddenly turns deadly for Brian and his fiancée. He learns about Operation Condor and suddenly understands the high-stakes game that’s being played in the White House.


3.      What do you hope will be the everlasting thoughts for readers who finish your book?
I haven’t considered everlasting thoughts as part of what my readers come away with, but it’s an interesting question! I hope people enjoy the tales I spin and want more. My goal is to create fiction that’s entertaining, satisfying and a fun read for those who like the genre in which I write. When I read for pleasure I often pick up books that are like mine—archaeological mysteries, thrillers set in remote jungles with dangerous people who make the books interesting.

4.      What advice do you have for writers?
Go for it! If you want to write, make it happen but treat it seriously. Make time in your life, force yourself to a schedule that’s realistic for you and go for your dream. It used to be harder to get a book into print than to write one. That’s not the case anymore. There are many great resources for indie authors today. Websites, blogs, webinars and chat rooms offer ideas and suggestions that are immensely helpful. I print the information that’s potentially important for me, mark it up and then mark it up again, highlighting the points that I want to try myself.  You may not sell a zillion books the first year, but if what you’re writing is really good, well edited and proofed, and you’re willing to devote as much time and resources to marketing and publicity as you do to writing, it could work. Why not give it a try?

5.      Where do you think the book publishing industry is heading?
Sometimes I think “real” books will disappear altogether and everyone on Earth will end up with a tablet to read on. But there are people of all ages who insist on paper books. They like the feeling when they hold one, turn a page, or flip back and forth.  When I research my books, it’s usually non-fiction I’m reading. For that I always buy paperbacks. I have to do it the old-fashioned way—with tabs, a highlighter and notes in the margin. Fiction, however, is a different story. I used to travel with twenty pounds of books in a briefcase. No more, thank God. That’s not going to change. Ebooks are here to stay and if you want to be successful you have to publish in that genre. Many authors do ebooks exclusively. As I said in the previous answer, it’s easier than ever to get a book into print. It sounds crazy, but that’s the simplest part. The competition for a reader’s attention, especially with the crazy number of indie author-publishers, demands that a serious author —one who actually wants writing to be a career—must be ready to make his or her book stand out somehow.  In an industry where thousands of books a week are published, only a few can possibly rise to the top of reader interest. That situation isn’t going to change.

6.      What challenges did you have in writing your book?
Sticking to a writing schedule, outlining, creating self-imposed deadlines and other such mundane back-office tasks are the easy part for me. My challenges usually come with the story line itself.  For me, it’s often the research—the things that make the story sound plausible—that present the challenge. This time was no exception, given the unprecedented premises of this book. Some of the ideas—a Supreme Court vacancy while the other political party controls Congress, for instance —are straight from today.  Dealing with the order of succession was more challenging, since neither top official had been declared dead. I had to draw on what would most likely have happened in real life for that one.

7.      If people can only buy one book this month, why should it be yours?
Order of Succession is meant to be a quick, entertaining read. A Kirkus review says “the baddie’s plan, as well as the good guys’ strategy to fight back, are riveting, featuring varying motives and inevitable double crosses.” I hope readers will find Brian Sadler and his attorney-fiancée Nicole Farber as engaging as other readers have, and will come away having enjoyed a getaway from the daily routine of life.

Bill Thompson became a corporate entrepreneur early when at age 12, he started a company that bought and sold coins. By age 25 he had founded an insurance agency that became one of the largest in Oklahoma. Expanding and adding to that firm, Thompson created a financial services holding company that operated in several states plus Bermuda, the Cayman Islands and England. He later sold his interests and joined his son as an executive in a computer memory manufacturing and distribution company, which by 1995 had grown to be in the top ten nationally by sales.

When that company sold, he decided to pursue a lifelong passion—writing archaeological thrillers. His burning interest in ancient sites, mysteries of the past, unexplained things in the jungle and stories of adventure in remote places drove him to frequent trips around the world. He has visited numerous historically significant sites, including Machu Picchu, Stonehenge, Avebury, Egypt, Petra and many ancient Olmec, Aztec and Maya cities in Mexico, Belize and Guatemala.

For more information, please visit www.billthompsonbooks.comand connect with Thompson through Facebook, Twitter, and Goodreads.

Order of Succession can be purchased on Amazon and Barnes & Noble.

Don't forget to check out the next stop in the tour at Musings in the Middle!

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Brian Feinblum’s views, opinions, and ideas expressed in this blog are his alone and not that of his employer. You can follow him on Twitter @theprexpert and email him at brianfeinblum@gmail.com. He feels more important when discussed in the third-person. This is copyrighted by BookMarketingBuzzBlog 2016 ©.

Sunday, September 25, 2016

Interview With Writer Kenn Goldblatt


Author of The Pro Se Litigant's Civil Litigation Handbook


  1. What inspired you to write your book? My book is the result of over twenty years’ experience in litigation in various roles that began as a represented litigant, then proceeded to a litigation manager for a case in which I was sued for going to the aid of a friend and mentor, then to successive levels as a paralegal, after which I became a self-represented litigant, then represented others in states and Federal circumstances where I could do so without having a law license.

Along the way, I was able to observe all of the problems the average person involved in litigation encounters – largely because they too often don’t have a clue about how the litigation process actually works and what is actually required to prevail in a civil lawsuit. As I helped those people along the way, I realized that they needed a detailed set of instructions of what to do, how to do it and when if they were involved in a lawsuit.

Whether they are representing themselves as a pro se litigant, or choose to hire a lawyer to do the work for them, my Pro Se Litigant’s Civil Litigation Handbook is designed to provide them with the detailed knowledge of the litigation process from pre-litigation investigation through trial on the merits that they need to protect themselves – either by proceeding pro se or by monitoring what their attorney is doing to make sure mistakes are kept to a minimum as the case proceeds.

  1. What is it about? The Pro Se Litigant’s Civil Litigation Handbook explains the civil litigation process from the point of determining whether there is actually a case to be filed through each succeeding step that is required to give readers the best chance of prevailing in their lawsuit whether they are the plaintiff doing the suing or the defendant being sued. It explains each successive step of a civil lawsuit and provides checklists to help its readers keep track of precisely where they are in the process and each detail of what must be done at that time. The book provides a Glossary to teach readers how to “speak litigation” so they can be as effective as possible as they proceed through the process.

In addition, it provides an Appendix of sample documents to show readers what their documents should look like and the type of content they should contain to have the maximum impact on the judge. Readers who are thinking of filing a lawsuit to correct a wrong that has been done to them are shown how to get organized and how to proceed as effectively as possible. Readers who much defend against a lawsuit that has been filed against them are shown just what steps are necessary for erecting a formidable defense.

  1. What do you hope will be the everlasting thoughts for readers who finish your book? The book is designed to answer the perennial question I have been asked by litigants I have helped over the years: “Isn’t there an easy way to do this?” My answer is always “No.” The first thing I tell them is that they need to forget what their sixth grade teacher told them: that if they just go to court and tell the truth everything will turn out alright. Litigation is difficult and is too often tedious and exhausting. But it just as often can’t be avoided. It has strict rules that must be followed, and customs that must be respected and followed carefully. Learning the process is not easy, but neither is it impossible.

It takes dedication and commitment to develop the proficiency that is required. The goal of The Pro Se Litigant’s Civil Litigation Handbook is to take the mystery out of the litigation process to help readers understand that, if they have the basic skills civil litigation requires, or are willing to learn them, they can represent themselves or ably manage their lawyer in the protection of their rights and recovery of their damages.

  1. What advice do you have for writers? Whether you’re writing a book or a legal brief or pleading, the goal should be the same: tell your story as directly and succinctly as possible so that the reader understands what you mean and what must be done to be successful at what you are proposing. Different writing tasks require different styles and different skills. Writing a motion to move a judge to action on your behalf is very different from writing a children’s book to inspire a reader to a different kind of action, or writing a how-to book to teach an adult a practical skill. Understanding precisely what the goal of your writing must be, and focusing on accomplishing that goal through your presentation is the basic goal no matter what you are writing.

  1. Where do you think the book publishing industry is heading? It is increasingly obvious to me that fundamental and sweeping changes are happening in all parts of our lives these days. A person can look at almost any part of the surrounding world and recognize the impacts those changes are having on our daily lives. In the two areas of most concern to me – litigation and publishing – those trends are as striking as they are obvious. There has been a steady increase of pro se litigants representing themselves in courts across the United States at every level of the state and Federal systems.

Today, over five million pro se litigants are involved in those courts. In publishing, the changes are just as dynamic and unsettling. Where authors were required to compete in a narrow field of book, magazine and newspaper outlets, today their opportunities are growing exponentially. The development of self-publishing organizations have broadened the print possibilities as quickly as e-publishing on the internet, through e-books, and social media have opened up virtually unlimited possibilities to writers in all fields and at all stages of experience. As a result, more writers have more opportunities to reach more (and more varied) audiences than ever before.

  1. What challenges did you have in writing your book? Writing The Pro Se Litigant’s Civil Litigation Handbook presented a number of challenges. The book is not intended to be a substitute for a law school education. Yet, at the same time, it needed to prepare its readers who intended to become involved in litigation with a detailed explanation of what precisely is involved in fighting a lawsuit and the most effective ways to do so.

Next, it needed to provide step-by-step guidance through the civil litigation process from beginning to end. I found the key to explaining the steps was the development of the various checklists designed to keep the reader on track from start to finish – and through each sub-process along the way.

Then I needed to explain the requirements of effective legal writing and how it differs from other forms of written presentation. There, I developed the Glossary and Appendix to acquaint the reader with the specific words they needed to understand to navigate the process and printed examples of what their documents to be presented to the court should look and sound like.

Closely following the content of the book should give the average pro se litigant the best chance of avoiding the common mistakes that doom pro se litigants before they start and give them the best chance of prevailing in their individual lawsuits. Even if they decide that they do not have the necessary skills and/or dedication to proceed pro se, the book will acquaint them sufficiently with the civil litigation process to manage their own litigation sufficiently to reduce their costs and prevent their attorney or the attorney’s staff from making costly mistakes that the litigant will ultimately have to pay for.

  1. If people can only buy one book this month, why should it be yours? Virtually every adult needs to be able to protect themselves from the possibilities of litigation that is increasing exponentially in the United States. Whether they are simply protecting themselves from the increasingly common scams that are ensnaring consumers, or avoiding litigation resulting from an auto accident, dealing with litigious landlords or neighborhood associations, or any of the other dozens of situations that are becoming increasingly common in ensnaring average individuals in the litigation process at some level, readers of The Pro Se Litigant’s Civil Litigation Handbook will be prepared to evaluate what needs to be done when faced with the prospect of civil litigation and protect themselves in the process. Whether they need it now, or are simply likely to need later, it is a reference book that should be close at hand to be immediately available when it is required.

For more information, please consult: http://www.proselitigantshandbook.com/
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Brian Feinblum’s views, opinions, and ideas expressed in this blog are his alone and not that of his employer. You can follow him on Twitter @theprexpert and email him at brianfeinblum@gmail.com. He feels more important when discussed in the third-person. This is copyrighted by BookMarketingBuzzBlog 2016 ©.

Interview with Author Newton Frohlich


1492: A Novel of Christopher Columbus

1.  What inspired me to write 1492? Reading my client's present of two volumes on the Columbus family's litigation to enforce Columbus' contract with Ferdinand and Isabella (which entitled him to one-eighth of North, South and Central America), I realized this contract was signed the same time the King and Queen of Spain signed their decree expelling from Spain, on 90 days' notice, all Jews  though Jews lived in that land for over a thousand years.  As a lawyer, it had been my experience that leaders of large organizations didn't sign such major documents at the same time without there being a connection between them.  So, the question was:  what was the connection between Columbus' contract and the expulsion of the Jews?  And another question was:  how could it be that people who had lived and prospered and been accepted for so many years be so cruelly treated?

From these initial questions, the rest fell into place.  I visited the main New York Public Library on Fifth Avenue and found that the first letter Columbus wrote when he returned to Europe, even before he wrote to Queen Isabella, was a report he sent to the financial backer of his voyage of exploration, Don Luis de Santangel, the Jewish-Converso banker who financed his voyage, telling his investor, in essence, "we did it."  Don Luis' nephew, Vicente de Santangel, assassinated one of the Inquisitors for torturing his family.  Don Luis' deal with Queen Isabella was that he would put up all the money for the voyage but the Queen would not have to pay him back unless the voyage was successful.  But he also hoped he King and Queen would spare the life of his nephew. That bet, he lost.  Vicente was executed though the rest of the Santangel family was spared.

From these two discoveries, plus encouragement from a book written by Simon Wiesenthal on the subject, and many, many other works on the influence of Arabs, Jews and Christians on Columbus, I went to work.  Eight years later, after living in Israel and Spain and visiting Italy, 1492 was done.

2.  What is 1492 about? 1492 is the story behind the discovery of America by Christopher Columbus.  It weaves the Jewish, Christian, Arab influences on the discovery and also describes the life and times that, in many respects, were not so different from today.  When I started my work, the Arab oil embargo threatened the prosperity of the West just as Arab control of the trade routes to the East threatened the prosperity of the West in Columbus' time.  The challenge then and now:  how can the West reach the East and not be thwarted by Arab control of the oil and trade routes.  Columbus' answer was to sail to the West by first sailing South, and when he reached Africa, then sail ing West.  To return he would first sail North, and then, catching the winds that blow due East there, sail back to Europe.

So, getting around the Arab blockade, as it were, was the initial challenge then and now.  And the came the Inquisition by the Church into the bona fides of Jews who converted to Christianity to save themselves and their families from being tortured and burned at the stake.  But it quickly became clear that religious purity was not on the Inquisitors' minds.  Rather it was convicting Jews, confiscating their property and finaing the Christians' war against the Arabs.  As with today, the East was on one side, the West was on the other side, and Jews were in the middle.

3.  What do I think will be the everlasting thoughts for readers who finish my book? I hope they will realize that the magical event of discovering America emerged from a nightmare.  I hope they also will realize that after a thousand years of living together  through difficult times and good times, Christians, Jews and Arabs were torn apart and destroyed by the hatred sewn by greedy, fanatical leaders.  Yes, Columbus was successful in discovering America, but no, Spain and Portugal did not succeed either.  After a brief period of wealth and power from looting the gold of the Incas and the Aztecs, both countries went into decline. In destroying, torturing and expelling the Jews they eliminated their urban middle class with its doctors, lawyers and businessmen.  Likewise, in destroying and expelling the Arabs, they eliminated mathematicians, scientists and craftsmen, not to mention traders.  It took Spain and Portugal 525 years from 1492, but finally each country has just passed laws admitting their mistake in persecuting and expelling Jews.  They have now offered all the descendants of the Jews citizenship.  

4.  What advice to I have for writers? Persevere.  When I left law practice after I built a firm with my two partners into a 16 man Washington success, I hoped to write historical novels.  I saved every penny so I could support my wife and children over what I thought would be a long haul, but I didn't realize the hail would be quite so long.  I'm happy recognition has at last arrived.  The Shakespeare Mask has been awarded the Benjamin Franklin Gold Medal for best historical novel.  1492 had been described by Publisher's Weekly as "captivating and extraordinarily vivid," and translated in Spanish and Dutch as well as published in America  But be prepared to struggle and always remember the real success comes every day when you get up, sit down at your computer and write.  Two of my four grandchildren have announced to Grandpa that they are writing historical novels, too.

5.  Where do I think the book publishing industry is heading? I wish I knew, but it doesn't look good.  It seems to me people spend more time looking at television than reading books.  I hope I'm wrong.  My son and daughter and their spouses and children read intensely.  They also put limits on the childrens'  watching tv as my wife and I did.  But I don't know about other people.  Bookstores seem empty.  Maybe peoole browse via Amazon and Goodreads.  I hope so.   Martha and I try to buy books from Bookstores to keep them alive.  

6.  What challenges did I have in writing my book? For 1492, and for The Shakespeare Mask, too, the biggest obstacle is peoples' willingness to believe in myths rather than seeing the truth.  Re 1492, people actually believed that Queen Isabella pawned her jewels to finance the proposal of a nice young fellow from Genoa when there was absolutely no evidence for that.  It just sounded sweet.  If they had only known Queen Isabella was not "sweet" and the money was put up by a Jewish-Converso banker desperate to save his nephew and the rest of his family from burning at the stake, they might have been open to the truth.  As it was, it took publishers years to accept the truth.  

The same goes for The Shakespeare Mask.  The myth that an uneducated young man could write the most sophisticated works of literature in the English language without any knowledge of Latin, Greek, Spanish, French and Italian when so the plays the poems of Shakespeare required  such knowledge as well as travel to the countries where they were spoken boggles the mind.  Five U.S. Supreme Court Justices believe, as I and thousands of others do, that the Earl of Oxford wrote the works of Shakespeare, "beyond a reasonable doubt," and yet much of the academic community stonewalls the idea.  It's only a matter of time before younger scholars who have not made a career based on the acceptance of the myth take over universities and publishing houses but, until then. many wallow in the myth.

7. If people can buy only one book this month, why should it be mine? 1492 is very timely because the historical events it describes are applicable to what we see happening all around us now, the same struggles and challenges exist even today, and it reminds us that those who cannot remember the past are condemned to repeat it.


Newton Frohlich is the award-winning author of 1492: A Novel of Christopher Columbus, the Spanish Inquisition & a World at the Turning Point. A former lawyer in Washington, D.C., he devoted eight years to the research and writing of 1492. He has lived in Washington, D.C., the south of France, and Israel and now makes his home on Cape Cod with his wife, Martha, a musicologist. For more information please newtonfrohlich.com

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Brian Feinblum’s views, opinions, and ideas expressed in this blog are his alone and not that of his employer. You can follow him on Twitter @theprexpert and email him at brianfeinblum@gmail.com. He feels more important when discussed in the third-person. This is copyrighted by BookMarketingBuzzBlog 2016 ©.



Saturday, September 24, 2016

Interview With Novelist Mike Nemeth


Author of Defiled



1. What inspired you to write the book?
The difference between "justice" under the law and fairness in a specific circumstance. Generic laws, intended to rein in the raucous lives of 330+ million citizens don't always deliver fairness to victims (or perpetrators). That gap, in both the civil and criminal court systems, intrigued me. I chose divorce as the vehicle to highlight the issue because I have some experience with it.. Ah hem.

2. What is it about?
Defiled is about a man who embodies a lost American spirit: the willingness to defy authority when the system gets it wrong and to bend the rules to produce a fair outcome. Randle Marks believes that if it is broken, it is a citizen's duty to force change.  When neither Randle nor his estranged wife get a fair shake from the courts, they battle beyond the boundaries of the legal system and the judges and lawyers lose control of the case.  Their escalating war culminates in a gunfight aboard a motor cruiser on the Gulf of Mexico but then two unexpected twists produce a surprising ending because the cops get involved. 

3. What do hope will be the everlasting thoughts for readers who finish your book?
Two thoughts: Don't take it for granted that our current laws and procedures are as good as they can be; and, Don't assume you know how the law will treat you when you get caught up in the meat grinder.  The real justice system is often quite different from what is depicted on TV.  I hope the lasting feeling after reading the book is: system.

4. What advice do you have for writers?
Seek professional help!  Double entendre intended. Wondering if anyone will ever read your words, much less appreciate them, is psychologically taxing.  Find at least one biased reader who will heap praise upon you after each day of writing.  Secondly, get professional publishing help, especially a good editor.  Your manuscript is never as good as it can be. 

5. Where do you think the publishing industry is heading?
Today we have chaos: self-publishing, Indie publishing, traditional publishing.  Absolutely everyone is writing a book and everyone can now see their books in print somehow.  The market is flooded and confused.  You can buy a great book for $0.99 and you can get stuck with a clunker for $25.00.  The economics don't work and the market isn't rational because there isn't a link between quality and price and there isn't a link between quality and notoriety.  I think we'll see more tools like this blog used to separate wheat from chaff. 

6. What challenges did you have in writing your book?
Story structure was my biggest challenge, ensuring that the characters had a trajectory, that the story revealed its theme while still being an entertaining tale.  Many revisions, and much good advice, produced the end product. 

7. If people can only buy one book this month, why should it be yours?
Because the theme and the characters will haunt you for the full month.  Defiled is a fun read, but it will leave you thinking about the institutions that manage our civilization. 

Please see www.nemosnovels.com for more information.

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Brian Feinblum’s views, opinions, and ideas expressed in this blog are his alone and not that of his employer. You can follow him on Twitter @theprexpert and email him at brianfeinblum@gmail.com. He feels more important when discussed in the third-person. This is copyrighted by BookMarketingBuzzBlog 2016 ©.

Interview with author Bill Walker


Abe Lincoln on Acid


1.      What inspired you to write your book?
Our first collaboration was "Abe Lincoln: Public Enemy No. 1", which has Lincoln surviving his assassination by virtue of a voodoo-cursed bullet, lying in a coma until he awakens in 1933 and is faced with a world that has passed him by, and a government that very much wants to keep his existence a secret.  This book was borne out of a student film project from our days at Emerson College.  It had Lincoln in John Dillinger's role and we shot an entire bank-robbing scene and were due to shoot his "death" scene, but it was so cold the cameras froze up.  Years later, in 2012, we were reminiscing about the film, whereupon I had an idea that we should turn it into a novel.  And while the film was meant to be a one-joke film, we decided to write this story completely straight, peppered with Lincoln's humor throughout.  We had so much fun writing this book that we knew we wanted to write a sequel.  We thought about having Lincoln during World War II or in the 50s, but the psychedelic 60s seemed like the best bet for another odyssey.

2. What is it about?
In "Abe Lincoln On Acid" Abe reawakens in 1963 and at the outset he has no desire to leave the confines of the dwelling where J. Edgar Hoover is keeping him under house arrest.  But as he watches the 60s unfold on his television set, he becomes more and more upset at what is happening to his country.  Thus, he conspires to escape his confinement and begins a journey that will have him crisscrossing the country.

3. What do you hope will be the everlasting thoughts for readers who finish your book?
The best thing they could take away from this book, as well as the first one, is that they were entertained and informed.  To my thinking taking someone out of their daily lives and giving them a memorable adventure is the highest of callings.

4. What advice do you have for writers?
I'm not going to tell them to write every day, no matter what, because I don't.  I really envy the prolific brand name authors out there who can crank out the bestsellers one after another.  I don't know how they do it, and I suspect more than a few of them are getting more help than they will admit, but that's another story.  However, once I've started a project, my goal is three pages a day—no matter what.  Sometimes it's hard, and sometimes those three pages get thrown out the next day, but carving out that special time of day where you focus your energies on the writing is paramount.  That's where discipline comes in to play.  So, my advice to writers is that once they have that burning idea, don't let it go until it's finished.

5. Where do you think the book publishing industry is heading?
I don't even pretend to know the answer to that question, and I look at someone who says they know where the industry is heading with a bit of a jaundiced eye.  People were saying the print book would be dead by now because of ebooks, but the truth is they each have their place and seem to be coexisting nicely.  I also believe that big publishers still have the edge when it comes to launching a new author in a big way.  If they want to get behind someone and really push them, they have the money and the resources to make someone a bestselling author right out of the gate.  Now, with everyone self-publishing and selling his or her book on the Internet, we have a deluge of material, most of it bad, being foisted on the reading public.  And that public has become very adept at tuning out hype.  Thus, it has become VERY hard to sell a book by an unknown writer to any meaningful degree.  Most of these writers don't have the amount of money it would take to make more than a minor splash in the market.  It's disheartening to say the least.  Still, writing is what I do, what I love to do, and what I need to do, so I persevere.

6. What challenges did you have in writing your book?
The biggest challenge was using as much real history as we could.  That was the challenge with both "Abe Lincoln: Public Enemy No. 1" and "Abe Lincoln On Acid."  The other challenge for me personally was what to do with myself when the manuscript was with my co-author. While writing "Abe Lincoln On Acid" I actually started another novel I could write while Brian had the Lincoln manuscript.  It saved me from a bad case of thumb-twiddling.

7. If people can only buy one book this month, why should it be yours?
I would have to say that it's an honest and carefully researched attempt to portray Abraham Lincoln as a real person, and what he might have made of, and brought to, current world problems. Thus, I think it's safe to say the book has a unique point of view.

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Brian Feinblum’s views, opinions, and ideas expressed in this blog are his alone and not that of his employer. You can follow him on Twitter @theprexpert and email him at brianfeinblum@gmail.com. He feels more important when discussed in the third-person. This is copyrighted by BookMarketingBuzzBlog 2016 ©.

Best-Selling Author's Book Engages In a Debate: Language May Not Have Come As A Result of Evolution



Just how, when, and why did humans obtain the ability of speech?  This is the focus of Tom Wolfe’s new book The Kingdom of Speech.

He opens the book quoting from an article published recently by major linguists, biologists, anthropologists, and computer scientists, in which it said:

“The most fundamental questions about the origins and evolution of our linguistic capacity remain as mysterious as ever.”

Wolfe believes that speech did not come as a result of Darwinian evolution. He says the claim by scientists that there’s a “language organ” in our brain is nonsense.  He sees no evidence that humans are hardwired for language.

The jacket of his book proclaims “Wolfe makes the captivating paradigm-shifting argument that speech-not evolution-is responsible for humanity’s complex societies and achievements.”

The flap-copy goes on to say: “He shows the endless importance of the outrageous outside in overturning our most cherished ideas about ourselves.  Provocative and fast-paced, Wolfe’s latest tour de force will have everyone talking.”

This inquiry into language leaves us a bit mystified.  Many people have studied the origins of speech and language and have come up with a number of theories though theories is what they are.  Noam Chomsky’s Syntactic Structures and other writings have sought to clarify matters but the debate rages on.

Language is what separates humans from all others – and recorded language makes learning in great detail possible. We have books, videos, podcasts, and many tools to hand down to generations – and on a mass scale.  Is the ape or dog able to learn from others without such tools?

So how did humans even come to write what made them even think of writing things down?

Wolfe’s book both intrigued and bored me, but the topic is a lively one worth exploring. Language allows us to manipulate our lives, to express what we feel, imagine and know. By transferring these ideas and facts to each other we create a common society that can work together to advance our lives at a far greater pace than if we just lived on our own in the wild.

I don’t know where language, speech, or writing come from, but I’m sure glad they exist and that we have the capacity to share in them.


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2016 Book Marketing & Book Publicity Toolkit

2015 Book Marketing & PR Toolkit

2014 Book Marketing & PR Toolkit

Book Marketing & Book PR Toolkit: 2013

Brian Feinblum’s views, opinions, and ideas expressed in this blog are his alone and not that of his employer. You can follow him on Twitter @theprexpert and email him at brianfeinblum@gmail.com. He feels more important when discussed in the third-person. This is copyrighted by BookMarketingBuzzBlog 2016 ©.