Interview With Author Jean-François Vernay
What type of books do you write? I started writing
nonfiction books because I wanted to experience a theoretical approach to
literature, and so I specialised in Australian fiction. My first book, Water from the Moon: Illusion and Reality in the Works of Australian
Novelist Christopher Koch, is a monograph on a talented Tasmanian writer and
my second book sells as a potted literary history of Australian fiction. The Great Australian Novel – A Panorama (2010) was translated by Dr. Marie Ramsland while
I was working on my first fiction piece.
What is your newest book about? There are two latest books which are companion
pieces: a short fable and a literary essay. The fable, Un Doux
petit rêveur, which came out last
September, is the story of seven-year-old Benjamin, penned up in what American
sociologist Erving Goffman calls “a total institution”. He has a friend – Fil, and the two tell each other incredible stories which fail
to satisfy their need for wonder. Deep within his peninsula, the marooned
child whiles the time away by embarking on mysterious adventures and – as the story unfolds – the reader realizes that something is not
quite right with them. It’s a modern fairy tale about how incognizance and
exclusion seem to be the instinctual responses and the easy way out to the
difficulties we face in life. Plaidoyer pour un
renouveau de l’émotion en littérature, was published in March and is currently under translation by Dr. Carolyne
Lee. It mainly
deals with the way we generally tend to repress emotions in the process of
reading and assessing books, which is a paradox because literature is all about
feelings and subjectivity. I’m very pleased that this essay has
just been longlisted for a Paris-based literary award:
What inspired you to write it? I write about things that in my eyes deserve attention, things which are either neglected, disregarded, or simply ignored in life. Christopher Koch was a neglected writer in Australian academia when I first undertook my research on him. Then I realized that Australian fiction had little visibility in French-speaking countries and so my potted literary history Panorama du roman australien des origines à nos jours (
What is the writing process like for
you? The writing process, as I see it, is thoroughly discussed in Plaidoyer
pour un renouveau de l’émotion en literature (2013). If you read French, I will encourage you to check this reference;
if not, you might need to wait until the translation finds a publisher.
What did you do before you became an author? I was a student.
How does it feel to be a published author? Nothing special, it’s just part of the process of how the book will reach its readers. But if you’d ask me how it feels to make a positive difference in someone’s life, I’d say it’s the greatest reward a writer can get. Perhaps someone will take a fresher look at things, perhaps someone has loved the story I wrote or the way it was written, perhaps someone will take up a cause, etc. Who knows? These are the precious little rewards you get when you are published.
Any advice for struggling writers? Keep your nose to the grindstone, vest your story with meaning and feelings, and believe in yourself.
Where do you see book publishing heading? Let’s hope in the right eco-friendly direction.
Check out these links related to the author:
Galt, Friedman
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Brian Feinblum’s views,
opinions, and ideas expressed in this blog are his alone and not that of his
employer, the nation’s largest book promoter. You can follow him on Twitter
@theprexpert and email him at brianfeinblum@gmail.com. He feels more important when discussed in the
third-person. This is copyrighted by BookMarketingBuzzBlog © 2013
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