Have
you ever bought a book, sight unseen, and felt buyer’s remorse?
Though
I feel swindled for plunking down $85 – actually it was a little more for the
shipping – for a book that promised to be great but failed to deliver, it
taught me a valuable lesson.
Well,
two lessons.
1. Never, ever buy a book unless you have seen what is in it. Mail-order-only books should be purchased
with caution.
2. As
an author or book marketer, you may want to copy the strategy that, as a consumer,
annoys me.
The
book in question was a photography book.
I knew I was taking a chance that I may not like it, but it was
presented with the inviting style that one finds irresistible. I’d read about it in several different
publications and when I went to the publisher’s website at www.imperial-publishing.com, I was sucked in.
The
site described how famed shutterbug Jonathan Leder snapped off Polaroids of the
gorgeous actress Emily Ratajkowski. Just
to be clear, she is the woman I would leave my wife for. I fell in lust with her when she appeared in
the movie, Gone Girl.
I
saw a story from Vogue, the French
edition, that published 10 of the photos.
I was sold. I was blinded by her
beauty and the anticipation of seeing this gorgeous woman in various states of
undress until she was fully de-clothed.
So
the marketing rules in play here are:
·
Create
hype by leaking some information.
·
Use
strong visuals to sell it.
·
Build
a book around a popular figure.
·
Create
a picture that leads the reader to fantasize.
·
Stir
the consumer’s desire to own a collectible (it was numbered and autographed).
·
Don’t
allow the consumer to browse through the contents (not available in stores).
·
Sex
sells, sex sells, sex sells.
The
book features five-year-old photos, taken from a photo shoot before she became
a star. This also added to the allure, a
chance to see a pretty talent in her pre-star days. This should have been great.
What
I received, instead, was a thin paperback book that lacked style or substance.
It
featured multiple photos per page with few filling a full page. The paper size was small, so it made the
images seem undersized and insignificant.
Most
importantly, the images lacked artistic touches. Some photographers' work can exceed or enhance
their subject – this one underperformed and took away from his prized subject.
The
images diminished her to an ordinary status.
There was no glamour or inventiveness attached to the images. The poses were unoriginal and in some cases,
a turn-off.
Of
course this is just my opinion. Perhaps
others enjoyed the book whereas others would never have been drawn in to get a
book featuring pictures of a C-list actress.
But to further my contention that the book was sub-par was the fact it
misspelled the word “foreword” as “forward,” a common rookie mistake by self-published authors who quickly put books together on the cheap without the
hint of having consulted an editor.
Still,
as much as I feel like a sucker for having bought into the hype and seduced by
the anticipation of what could have been, the experience made me feel terrific
from the book marketing perspective. It
reaffirmed that people often buy on promise, not on the facts. Even books of true substance need to hype
themselves and promote their image in a certain light, otherwise no one shows
up to the party.
So
consumer, buyer beware. But to the
authors and book publicists out there, take note. You can generate sales with the right blend
of publicity and reader desire. It also
helps if you are offering seductive images of one of the hottest women on the
planet.
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Brian Feinblum’s views,
opinions, and ideas expressed in this blog are his alone and not that of his
employer. You can follow him on Twitter @theprexpert and email him
at brianfeinblum@gmail.com. He feels more important when discussed in the
third-person. This is copyrighted by BookMarketingBuzzBlog 2017©. Born and
raised in Brooklyn, now resides in Westchester. Named one of the best book
marketing blogs by Book Baby http://blog.bookbaby.com/2013/09/the-best-book-marketing-blogs
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