Romance is the top-selling genre in America, but its once powerful author lobbying and networking group has just filed for bankruptcy five years after the seeds of an argument led to its membership plummeting by 80% and its debts to soar past three million dollars.
This is not a common occurrence in book publishing. With more published authors than ever before, writer associations should be growing, not shrinking, or in this case, disintegrating.
So, what the hell happened here?
Allegations of racism, boardroom power plays and mismanagement have conspired to do the once-vaunted group in. Romance Writers of America is suffering a heart-breaking divorce.
According to published reports in 2019, best-selling author Courtney Milan publicly criticized passages in Kathryn Lynn Davis’ Somewhere Lies the Moon for including what she considered harmful stereotypes about Chinese women. The RWA board voted to ban Milan for a year and banned her from holding a leadership position.
It raises a lot of questions:
·
What
happened to free speech?
·
Why
was a writer punished for trying to address what she believed was racism?
·
Can’t
a writer criticize the craft and content of another writer, the way book
reviewers do?
· Why is this the issue that causes an organization that makes a living writing about orgasms to crumble?
All of this led to a backlash by members and fed into a convergence of other social movements on anti-racism.
The Guardian reported the “controversy prompted at least ten members of RWA’s board of directors, including the president, to resign. The board members who resigned included black, Asian and Latinx authors, who had previously made up what had been hailed as the most racially diverse board of directors in the group’s history.”
The board rescinded its action a few months later, pending a legal review. But the shit-show just kept rolling and now, the RWA is a walking-wounded zombie.
Formed in 1980, the non-profit writers association was at its peak in 2019 with over 10,000 members and 150 chapters, issuing major book awards and holding an annual national conference. Its mission, according to its charter, is to "advance the professional and common business interests of career-focused romance writers through networking and advocacy and by increasing public awareness of the romance genre."
The RWA was criticized for being too white in the past. In today’s world, publishers bend over backwards to publish non-whites, non-males, and anything LGBTQ, risking quality control at times in desperate favor of appearing inclusive. Further, anyone can self-publish, so the color or gender barrier has been shredded.
But it will take a very
creative writer to re-write the demise of the RWA. Once the spark leaves and
the romance dies, often couples break up. It looks like there is no love for
the current version of the RWA, but it seems there should be another wedding of
romance authors in the future.
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