FLOATING IN THE NEVERSINK
1. What is your book about? A novel-in-stories, Floating in the
Neversink follows a sensitive and
impressionable young Jewish girl, Amanda Gerber, through the evocative summer world
of New York’s Catskill Mountains, interspersed with Brooklyn’s Flatbush, from
1955-1961, a time of veiled innocence and impending turbulence.
2.
What inspired you
to pen it? I spent every summer of my
childhood at my grandmother’s house in the Catskill village of Woodridge during
the heyday of the Borscht Belt in the 1950s to 1960s. The house was located
between two bungalow colonies and within walking distance from several hotels. Contrasting
with country life, Brooklyn during those years was also rife with eccentric
artifacts and behavioral breakthroughs. The memories of those times have
remained with me, not only as a formative time in my family’s history but as a
unique era in the Jewish experience.
3.
Why should we
read your book vs. the other million new books published each year? Floating in the Neversink is unique in many ways. Its structure as a
novel-in-stories makes it very readable and accessible. Its descriptive prose and
attention to detail enable the reader to be fully immersed in a fascinating
time and place, and to identify with relatable and compelling characters. As a
literary work, the book stimulates provocative discussion about memory, family,
loyalty, and the role of fiction as a relevant counterpart to cultural norms.
4.
Your book takes
us back to Brooklyn, 1950s. Why? This
was a significant time in the social fabric of American culture. This is when
music and television captured the public’s imagination, when teenagers were
caught between the staid role models displayed in shows such as Father Knows
Best and the growing unrest of the anti-war generation of the 1960s, and
when the youth was challenged by dramatic changes in civil and gender rights. Movies
and television have portrayed Brooklyn as the epicenter of teenage rebellion.
Brooklyn-born baby boomers long to return to the carefree streets and
uncomplicated play of their youth, and younger generations are attracted to a
long-ago place that appears to be fun and simple.
5.
Why is historical
fiction such a vital means to tell a powerful story? Historical fiction brings authenticity and authority to
storytelling. It provides a dramatic through-line from which the author can
weave tangential plot devices, and a context to highlight comparative thematic
growth in the characters.
6.
Any advice for
writers? My advice to writers has been
consistent over the years. It’s very basic. And I’m talking about literary
writers. Despite the vagaries of the book publishing world, writers should
never focus on the bottom line. They should dedicate themselves to their work
and mapping out consistent time ― a regular
schedule ― for writing.
7.
Where do you see the
future of book publishing? In the last several years, I have been very disheartened by the
book publishing industry: the focus on marketing and sales, the weakening of
editorial standards, the digital revolution’s emphasis on small and
ungrammatical bites of communication, the closing of small bookstores, the lack
of mentoring and encouraging of literary writers. Lately, though, I have read
that consumers are still buying print and e-books as exemplified by Michelle
Obama’s memoir, Becoming, breaking all records. There are countless
blogs, book clubs, and online platforms that encourage reading and the exchange
of opinions. The big challenge to a writer is to keep up with these changes
without compromising standards.
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Brian Feinblum’s insightful views, provocative opinions,
and interesting ideas expressed in this terrific blog are his alone and not
that of his employer or anyone else. You can – and should -- follow him on
Twitter @theprexpert and email him at brianfeinblum@gmail.com. He feels
much more important when discussed in the third-person. This is copyrighted by
BookMarketingBuzzBlog ©2019. Born and raised in Brooklyn, he now resides in
Westchester. His writings are often featured in The Writer and
IBPA’s Independent. This was named one of the best book
marketing blogs by Book Baby http://blog.bookbaby.com/2013/09/the-best-book-marketing-blogs and
recognized by Feedspot in 2018 as one of the top book marketing blogs. Also
named by WinningWriters.com as a "best resource.” He recently hosted a
panel on book publicity for Book Expo America.
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